Jamie Walton was born in Germany before moving back to the UK at an early age. Noted for his rich, powerful sound with purity of tone and emotionally engaging performances he was one of the great William Pleeth’s last students who said of him: “He is a cellist of outstanding performance ability. Combining warmth of tone with a technical command that reaches dazzling proportions, he leaves little doubt as to the success that lies ahead of him - he is a musician of great integrity whose performance give great pleasure” and has already been compared by some reviewers to great cellists of past times with his distinctive sound and clean interpretations marking him out as a true individualist. Jamie plays on a Guarneri instrument dated 1712.
In the UK Jamie Walton has performed concertos with London Philharmonic, Royal Philharmonic and Philharmonia Orchestras. He gave his BBC National Orchestra of Wales debut with a Radio 3 broadcast of the Elgar concerto and has appeared throughout much of Europe, the USA, New Zealand, Australia and the UK performing concertos, recitals and giving broadcasts in some of the world’s most eminent © Wolf Marloh venues and festivals. He recently performed the Lutosławski concerto in Poland and made his Finnish debut with Bloch’s Schelomo alongside Bach and Britten Suites at the Riihimäki Summer Concerts Festival before returning for a series of Walton concertos with the Lahti Symphony Orchestra/Damian Iorio at the Sibelius Hall. As a recording artist for Signum Records he has recorded ten concertos with the Philharmonia Orchestra in London, including those of Dvořák and Schumann with Vladimir Ashkenazy. He has also recorded much of the sonata repertoire for Signum to significant critical acclaim, as well as the solo suites by Benjamin Britten which he also made into a film with Paul Joyce, released on DVD through Signum Vision and premiered on Sky Arts.
Jamie Walton is as passionate about chamber music as he is with concerto work and has performed in many of the world’s great concert halls in both capacities, including Lorin Maazel’s Chateuaville Foundation in Virginia through personal invitation. The Washington Post review by Robert Battey after his debut with Finghin Collins at The Phillips Collection said: “Walton is a major cello talent. He sports a particularly strong left hand – dead-center intonation and a wonderful, lithe vibrato that’s alive in every register. Though relatively young, he plays with the dignity and reserve of a wellseasoned artist.” His activities as a player are accompanied by his role as Founder and Artistic Director of the North York Moors Chamber Music Festival which he started in 2009. The festival has exceeded all expectations in selling out every year and is now established as an annual event during the last two weeks of August with its artistic excellence reflected when, in summer 2011, being shortlisted by the Royal Philharmonic Society in the festival category of its ‘Concert Series and Festivals’ award. Sir Peter Maxwell Davies, its patron, wrote a work specifically for the festival (for cello, baritone and string quartet), given its world premiere at the 2015 festival. Jamie is also setting up a record label affiliated with the festival, launched late in 2015.
Jamie Walton won a scholarship to Wells Cathedral School in a period which he says remains at the soul of his music making and where his first inspirational cello teacher was Margaret Moncrieff before continuing his studies with William Pleeth. He is a member of the Worshipful Company of Musicians and has been elected to the Freedom of the City of London. Jamie was awarded a Foundation Fellowship by Wells Cathedral School for his outstanding contribution to music.

In the 2019/20 season Santtu-Matias Rouvali continued as Chief Conductor of Gothenburg Symphony and as Principal Conductor Designate of the Philharmonia Orchestra, where he succeeds Esa-Pekka Salonen as Principal Conductor in 2021/22. Alongside these posts he retains his longstanding position as Chief Conductor with Tampere Philharmonic Orchestra, close to his home in Finland. His international profile continues to flourish. He debuted the season with the New York Philharmonic, Berlin Philharmonic and Royal Concertgebouw orchestras in wide-ranging repertoire. He conducted the New York premiere of Bryce Dessner’s Wires, and at the Concertgebouw he conducted the world premiere of Ariadne by Theo Verbey, as well as Stravinsky’s Oedipus Rex.
He has built a loyal following internationally after successful tour concerts last season with Gothenburg Symphony in Vienna, where he returned in December to conduct the Wiener Symphoniker and Nicola Benedetti. In 2019/20 he returned to several orchestras across Europe, including the Orchestre Philharmonique de Radio France and Deutsches Symphonie-Orchester Berlin.
Founded in 1945, the Philharmonia is a world-class symphony orchestra for the 21st century. Based in London at Southbank Centre’s Royal Festival Hall, and with a thriving national and international touring schedule, the Philharmonia creates thrilling performances for a global audience. Santtu-Matias Rouvali is the Orchestra’s sixth Principal Conductor, following in the footsteps of Otto Klemperer, Riccardo Muti, Giuseppe Sinopoli, Christoph von Dohnányi and Esa-Pekka Salonen.
The Philharmonia is a registered charity that relies on funding from a wide range of sources to deliver its programme and is proud to be generously supported by Arts Council England. It performs around 50 concerts a year at its Southbank Centre home. Under its key conductors, the Philharmonia has created a series of critically-acclaimed, visionary projects, distinctive for both their artistic scope and supporting live and digital content.
The Philharmonia is orchestra-in-residence at venues and festivals across England: Bedford Corn Exchange, De Montfort Hall in Leicester, The Marlowe in Canterbury, Anvil Arts in Basingstoke, the Three Choirs Festival in the West of England, and Garsington Opera. At the heart of the Orchestra’s residencies is an outreach and engagement programme that empowers people in every community to engage with, and participate in, orchestral music. Internationally, the Philharmonia is active across Europe, Asia and the USA.
The Philharmonia’s reputation in part derives from its extraordinary recording legacy, which in the last 10 years has been built on by its pioneering work with digital technology. VR experiences featuring music by Sibelius, Mahler and Beethoven, placing the viewer at the heart of the orchestra, have been presented at Southbank Centre and internationally.