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Kennedy sings arias by Mozart, Gluck, Berlioz
Wolfgang Amadeus Mozart, Hector Berlioz, Christoph Willibald von Gluck

Andrew Kennedy

Kennedy sings arias by Mozart, Gluck, Berlioz

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212018927
Catnr: SIGCD 189
Release date: 01 February 2010
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Label
Signum Classics
UPC
0635212018927
Catalogue number
SIGCD 189
Release date
01 February 2010
Album
Artist(s)
Composer(s)
EN

About the album

Star tenor Andrew Kennedy is accompanied by Southbank Sinfonia in this collection of arias by three unique Classical-era composers. This disc showcases some of the best in young British musical talent, with rising star tenor Andrew Kennedy and Southbank Sinfonia, conducted by Simon Over. Their programme explores three phases of the Classical era, with early arias from Gluck, later classical works by Mozart, and the beginnings of Romanticism with Berlioz. Andrew’s previous releases have been greeted with exceptionally good reviews from music magazines and national newspapers and we have every confidence his latest release will be as successful.

Artist(s)

Andrew Kennedy (tenor)

Andrew Kennedy studied at King’s College, Cambridge and the Royal College of Music in London. He was a member of the Young Artists Programme at the Royal Opera House, Covent Garden where he performed many solo principal roles. Andrew has won numerous prizes and awards including the 2005 BBC Cardiff Singer of the World Rosenblatt Recital Prize. He is a Borletti-Buitoni Trust Award winner and won the prestigious Royal Philharmonic Society Young Artists’ Award in 2006. He was also a member of BBC Radio 3 New Generation Artists Scheme. Operatic roles include Tamino The Magic Flute (English National Opera); Flute A Midsummer Night’s Dream (Royal Opera Covent Garden); Jaquino Fidelio (Glyndebourne Festival) and Ferrando Così fan tutte (Glyndebourne Touring Opera);...
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Andrew Kennedy studied at King’s College, Cambridge and the Royal College of Music in London. He was a member of the Young Artists Programme at the Royal Opera House, Covent Garden where he performed many solo principal roles. Andrew has won numerous prizes and awards including the 2005 BBC Cardiff Singer of the World Rosenblatt Recital Prize. He is a Borletti-Buitoni Trust Award winner and won the prestigious Royal Philharmonic Society Young Artists’ Award in 2006. He was also a member of BBC Radio 3 New Generation Artists Scheme. Operatic roles include Tamino The Magic Flute (English National Opera); Flute A Midsummer Night’s Dream (Royal Opera Covent Garden); Jaquino Fidelio (Glyndebourne Festival) and Ferrando Così fan tutte (Glyndebourne Touring Opera); Nemorino L’elisir d’amore (Opera North) and Tom Rakewell The Rake’s Progress (La Scala). Concert engagements include Jaquino Fidelio, Francesco Benvenuto Cellini and Mozart Requiem for the LSO/Sir Colin Davis (all recorded for the LSO Live CD label) and Novice Billy Budd (LSO/Harding, recorded on EMI/Virgin Classics). Equally passionate about song repertoire, Andrew gives numerous recitals in Europe and the UK and appears regularly with the pianists Julius Drake, Roger Vignoles Iain Burnside and Malcolm Martineau. Andrew’s fast growing discography includes four solo albums (‘Strauss Songs’ with Roger Vignoles for Hyperion; ‘On Wenlock Edge’ with the Dante Quartet/Simon Crawford Philips for Signum Classics; ‘The Dark Pastoral’ with Julius Drake and Simon Russell Beale for Altara Classics and ‘The Curlew’ with Simon Lepper for Landor Records) and two shared recital discs (‘On Buying A Horse’ and a recording of Liszt songs both with Iain Burnside for Signum Classics). Andrew has recently released his first orchestral album of Gluck, Berlioz and Mozart arias for Signum Classics
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Southbank Sinfonia

Founded in 2002 by Music Director Simon Over, Southbank Sinfonia provides graduate musicians with a much-needed springboard into the profession. Each year, Southbank Sinfonia welcomes 33 of the world’s most promising graduate musicians to embark on its renowned fellowship. More than just an orchestra, this is a community where young talents can find their own creative strengths, fulfil personal goals, make lasting contacts, and take their musicianship to new frontiers. Players who have completed the fellowship now occupy prominent seats in leading orchestras worldwide. From the Philharmonia to the Hong Kong Philharmonic, each proudly acknowledges the positive impact that Southbank Sinfonia has made upon their progress. Many continue to play a valued role in the life of Southbank Sinfonia, returning as paid deputies...
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Founded in 2002 by Music Director Simon Over, Southbank Sinfonia provides graduate musicians with a much-needed springboard into the profession. Each year, Southbank Sinfonia welcomes 33 of the world’s most promising graduate musicians to embark on its renowned fellowship. More than just an orchestra, this is a community where young talents can find their own creative strengths, fulfil personal goals, make lasting contacts, and take their musicianship to new frontiers.
Players who have completed the fellowship now occupy prominent seats in leading orchestras worldwide. From the Philharmonia to the Hong Kong Philharmonic, each proudly acknowledges the positive impact that Southbank Sinfonia has made upon their progress. Many continue to play a valued role in the life of Southbank Sinfonia, returning as paid deputies and extras enabling us take on ambitious large-scale ventures, and coaching their successors.

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Simon Over (conductor)

Composer(s)

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School.  At 17, Mozart was engaged as...
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Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. From 1763 he traveled with his family through all of Europe for three years and from 1769 he traveled to Italy and France with his father Leopold after which he took residence in Paris. On July 3rd, 1778, his mother passed away and after a short stay in Munich with the Weber family, his father urged him to return to Salzburg, where he was once again hired by the Bishop. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.


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Hector Berlioz

Hector Berlioz is perhaps the most romantic of the romantics. His continuously changing moods split the traditional symphony orchestra into countless divisions, and his idealistic longing faded the borders between symphony, opera and oratoria. No wonder that this revolutionary expression gained little appreciation in its own time. The public of that age had barely overcome Beethoven's innovations. Reciprocally, Berlioz resented the audience and its conventions of the prevailing concert practice. In one of his writings, Berlioz dreamed of a Utopian city called Euphonia, in which commerce was banned and the arts stood at the centre of civilisation.  It wasn't until after his death that Berlioz gained the recognition he deserves. The most music lovers will know Berlioz from his Symphonie Fantastique,...
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Hector Berlioz is perhaps the most romantic of the romantics. His continuously changing moods split the traditional symphony orchestra into countless divisions, and his idealistic longing faded the borders between symphony, opera and oratoria. No wonder that this revolutionary expression gained little appreciation in its own time. The public of that age had barely overcome Beethoven's innovations. Reciprocally, Berlioz resented the audience and its conventions of the prevailing concert practice. In one of his writings, Berlioz dreamed of a Utopian city called Euphonia, in which commerce was banned and the arts stood at the centre of civilisation. It wasn't until after his death that Berlioz gained the recognition he deserves. The most music lovers will know Berlioz from his Symphonie Fantastique, in which he portrayed several opium visions. With this out of control 'bad trip', he tried to win over the famous Shakespeare actress Harriet Smithson. Some other highlights of his career are his epic opera La Damnation de Faust, his symphony Roméo et Juliette, his Requiem and the opera Les Troyens.


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Christoph Willibald von Gluck

Christopj Willibald Gluck was born in 1714 in Erasbach, Bavaria. At a young, he was already determined to become a professional musician, but his father, a forester, was against this. So much even that Gluck decided to run away from home to move to Prague. There, he immersed himself into the local music scene and advanced as a self-educated chamber musician to work for the nobility. His first opera Artaserse (1741) was a major success, which allowed Gluck to travel throughout Europe to work as an independent musician and composer of Italian opera seria. He married to the daughter of a well-established salesman en settled in Vienna in 1752 where he foumd himself in a circle of poets, composers and choreographers led...
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Christopj Willibald Gluck was born in 1714 in Erasbach, Bavaria. At a young, he was already determined to become a professional musician, but his father, a forester, was against this. So much even that Gluck decided to run away from home to move to Prague. There, he immersed himself into the local music scene and advanced as a self-educated chamber musician to work for the nobility.
His first opera Artaserse (1741) was a major success, which allowed Gluck to travel throughout Europe to work as an independent musician and composer of Italian opera seria. He married to the daughter of a well-established salesman en settled in Vienna in 1752 where he foumd himself in a circle of poets, composers and choreographers led by Count Giacomo Durazzo.
During this period, Gluck started to focus on French opéra comique and ballet. He wrote the music for the revolutionary Don Juan and in 1762, he composed his Orfeo ed Euridice, the first of three operas in which he broke with the conventions of Italian opera seria: the music had to be in the service of the drama, and not of the vain singers. Finally, Gluck was able to give a new impulse to the French tragédie lyrique in Paris (with operas such as his Iphigénie and Tauride). Gluck died in 1787 in Vienna of a stroke. He wasn't a great revolutionary composer, but he surely influenced Mozart, and later even Berlioz and Wagner.


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Press

Play album Play album
01.
Calchas, d'un trait mortel percé (Achille, Iphigénie en Aulide)
01:40
(Christoph Willibald Gluck) Andrew Kennedy, The Southbank Sinfonia
02.
(Aria) Misero! E che faro! (Recit) No, si atroce costanza (Admeto, Alceste)
05:16
(Christoph Willibald Gluck) Andrew Kennedy, The Southbank Sinfonia
03.
J'ai perdu mon Euridice (Orphée, Orpheé ed Euridice)
04:09
(Christoph Willibald Gluck) Andrew Kennedy, The Southbank Sinfonia
04.
Divinite des grandes ames
02:18
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
05.
Overture (Die Entfuhrung as dem Serail)
04:38
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
06.
Hier soll ich dich den sehen
02:24
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
07.
Ich baue ganz auf deinem starke
07:23
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
08.
Overture (La Clemnza di Tito)
04:56
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
09.
Del piu sublime soglio
03:11
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
10.
Ah, se fosse intourno al trono
02:25
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
11.
Se'all' impero
05:11
(Wolfgang Amadeus Mozart) Andrew Kennedy, The Southbank Sinfonia
12.
O blonde Ceres
05:15
(Hector Berlioz) Andrew Kennedy, The Southbank Sinfonia
13.
Ah! Je vais l'aimer
02:49
(Hector Berlioz) Andrew Kennedy, The Southbank Sinfonia
14.
Chant du Bonheur
04:41
(Hector Berlioz) Andrew Kennedy, The Southbank Sinfonia
15.
Air de Faust
05:43
(Hector Berlioz) Andrew Kennedy, The Southbank Sinfonia
show all tracks

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