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Label Signum Classics |
UPC 0635212004722 |
Catalogue number SIGCD 047 |
Release date 01 August 2003 |
Spem in alium is surely not just the greatest of all Thomas Tallis’ musical achievements, but one of the great musical compositions of all time. Writing for 40 independent voices, Thomas Tallis created a noble and imaginative masterpiece.
The earliest surviving manuscript of this great work, the Egerton manuscript, is laid out with an English rendition, Sing and glorify heaven’s high majesty. The English words are not a translation of the Latin, but a new poem written as a syllable-for-syllable replacement.
The new editions of both these works were launched by Chapelle du Roi at a concert at St.John's Smiths Square in 2001 before being recorded for Signum Records. Until then Sing and Glorify had not been performed in this country for more than twenty years, since the evening before the wedding of Prince Charles to Lady Diana Spencer.
The exciting young vocal ensemble Chapelle du Roi, whose recordings of the complete works of Thomas Tallis for Signum Records have gained widespread acclaim, here present a recording based on an entirely new edition researched from original sources by Chapelle du Roi’s director, Alistair Dixon.
Thomas Tallis was an English composer who occupies a primary place in anthologies of English choral music, and is considered one of England's greatest composers. He is honoured for his original voice in English musicianship. No contemporary portrait of Tallis survives: that painted by Gerard Vandergucht (illustration), dates from 150 years after Tallis died, and there is no reason to suppose that it is a likeness. In a rare existing copy of his black letter signature, the composer spelled his last name "Tallys." Tallis is known for his work with William Byrd. He started to teach the much younger Byrd at the Chapel Royal in London. Later, they were both appointed as organists of the Chapel.