Sonatas for violin & piano by Linus Roth & José Gallardo

Linus Roth & José Gallardo

Sonatas for violin & piano

Price: € 12.95
Format: CD
Label: Challenge Classics
UPC: 0608917238228
Catnr: CC 72382
Release date: 28 January 2011
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Label
Challenge Classics

UPC
0608917238228

Catalogue number
CC 72382

Release date
28 January 2011

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Musicframes, 24-4-2014

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Artist(s)

Composer(s)

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About the album

Like the Second Symphony the music of the First Violin Sonata clearly reflects the feelings of well-being and relaxation, with its lilting melodies and heartfelt middle movement. The premiere in Vienna on 29 November 1879 was an immediate success that lasts until this day. Like in all three sonatas the violinist makes his dominant appearance, but he frequently leaves the lower sonorities and harmonics to the piano accompaniment. In this perfectly balanced masterpiece there is plenty of virtuosity laid out for both players.
In the Second Sonata there is again the melodic mellowness, tenderness and expressive warmth which already dominated the First Sonata, but the thematic structure is more concise, with textural references to three songs Brahms composed during that same period: Komm bald, Wie Melodien zieht es mir and Immer leiser wird mein Schlummer.

The Third and last Violin Sonata was written in 1887 and again inspired by the breathtaking scenery surrounding Thun. Unlike the previous two sonatas it has four movements and was premiered in Budapest in 1888. This time the intimacy of the first two sonatas is surpassed by the grand symphonic scale of the music. (source: linernotes written by Aart van der Wal)

Roth and Gallardo, a duo for many years now give exquisite interpretations of these sonatas, with equally important roles. The result is utmost unity and beauty!

Inspirirende uitvoering door een duo dat bijna 10 jaar samen speelt
Dit album bevat vioolsonates en een Scherzo van Brahms, uitgevoerd door Linus Roth en José Gallardo.

Brahms componeerde de Eerste Vioolsonate in 1878-79. Met zijn zangerige melodieën en innige middendeel weerspiegelt het werk duidelijk ontspanning en welzijn. Op de première in Wenen was het werk onmiddellijk succesvol, en dat is het nu nog steeds.

De Tweede Vioolsonate werd gecomponeerd in de zomer van 1886. De warmte en tederheid uit de Eerste Vioolsonate komen terug in dit werk. De thematische structuur is echter beknopt, en verwijst naar drie liederen die Brahms in dezelfde periode componeerde.

De Derde en laatste Vioolsonate van Brahms werd gecomponeerd in 1887. In tegenstelling tot de eerdere sonates is het een vierdelig werk, met symfonische muziek. Brahms heeft dit werk opgedragen aan de beroemde dirigent Hans von Bülow, een van zijn bewonderaars.

Het Scherzo in C klein uit 1853 is onderdeel van een sonate. De overige delen zijn gecomponeerd door Schumann en Albert Dietrich. De sonate is opgedragen aan de violist Joseph Joachim. Zijn motto, ‘Frei aber einsam’, werd in de muziek verwerkt, in de vorm van de noten F-A-E.

Linus Roth en José Gallardo spelen al bijna tien jaar samen. Ze zijn zo goed op elkaar afgestemd, dat hun interpretatie van dit werk zeer persoonlijk is. Het is een prachtige interpretatie met gelijkwaardige rollen voor beide musici, met de hoogst mogelijke schoonheid en eenheid als resultaat.

Nach der viel beachteten Aufnahme aller Schumann Violinsonaten bei Challenge Classics, erscheinen nun die Meiserstücke von Johannes Brahms in der ausgefeilten und expressiven Interpretation mit dem jungen deutschen Geiger Linus Roth und seinem langjährigen kammer-musikalischen Partner, dem argentinischen Pianisten José Gallardo. Beide sind derart gut aufeinander abgestimmt, dass wir Zeugen einer sehr persönlichen Sicht und einer bezwingend herausfordernden Musikalität werden.

Artist(s)

Linus Roth

Since he won the Echo Klassik Award for his EMI debut album in 2006 Linus Roth has made a name for himself both as one of the most interesting violinists of his generation and as a champion of wrongly forgotten works and composers. His live performances and his recording of Mieczyslaw Weinberg’s complete works for Violin and Piano for Challenge Classics have brought him both critical and public acclaim. Roth’s commitment to Weinberg is further documented in his recording of Weinberg’s Violin Concerto with the Deutsches Symphonie-Orchester Berlin, the recording of Weinberg´s Concertino with the Württemberg Chamber Orchestra Heilbronn ( both were named „Editor´s Choice“ by the Gramophone Magazin) and the recording of the 3 Violin Solo Sonatas, making him the first violinist to have recorded Weinberg´s complete Violin repertoire . In 2015 Linus Roth founded the International Weinberg Society, an organisation whose mission is to bring more attention to the Œuvre of the Polish-Jewish composer, to help organise concerts, lectures, exhibitions, as well as support publications about his life and recordings of his compositions.
After joining Prof Nicolas Chumachenco’s pre-college division at the Music Academy Freiburg, Linus Roth continued his studies with Prof. Zakhar Bron in Lübeck and with Prof. Ana Chumachenco at the Academies of Zurich and Munich. Salvatore Accardo, Miriam Fried and Josef Rissin all strongly influenced his development as a player as did Anne-Sophie Mutter, whose Foundation awarded him a scholarship for the duration of his studies. In 2012 he was appointed Professor for Violin at the “Leopold-Mozart-Centre” of the University of Augsburg, Germany.
Linus Roth has performed with the Radio Symphony Orchestras of the SWR and Berlin, Bruckner Orchester Linz, Orquesta de Cordoba, Orquesta de Navarra, Orchestra della Teatro San Carlo Napoli, Royal Liverpool Philharmonic, Berner Sinfonieorchester, Orchestra of the State Opera Stuttgart, Vienna Chamber Philharmonic, Cologne Chamber Orchestra, Wuerttemberg Chamber Orchestra Heilbronn and the Munich Chamber Orchestra and has shared the stage with the conductors Gerd Albrecht, Herbert Blomstedt, Andrey Boreyko, Dennis Russell Davies, James Gaffigan, Hartmut Haenchen Manfred Honeck, Mihkel Kütson, Antoni Wit, among others.
A passionate chamber musician, he can be heard with Nicolas Altstaedt, Gautier Capucon, Kim Kashkashian, Albrecht Mayer, Nils Mönkemeyer, Andreas Ottensammerm Itamar Golan and Danjulo Ishizaka and regularly gives recitals with the Argentinian pianist José Gallardo throughout Europe.
Linus Roth plays the A. Stradivari “Dancla” 1703, kindly loaned to him by the “L-Bank, Staatsbank of Baden-Württemberg, Germany”.

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José Gallardo

A native of Buenos Aires, Argentina, José Gallardo started piano lessons at the age of five, at first at the Conservatory in Buenos Aires. Later he continued his studies with Prof. Poldi Mildner in the Faculty of Music at the University of Mainz, completing his diploma in 1997. Even then he realised his first love would be for chamber music.
His musical inspiration came from such artists as Menahem Pressler, Alfonso Montecino, Karl-Heinz Kämmerling, Sergiu Celibidache, Rosalyn Tureck and Bernard Greenhouse.
José Gallardo has won many national and international awards. Invitations followed for numerous tours and festivals, including the Lockenhaus Chamber Music Festival, the Asiago Festival in Italy, the Ludwigsburg Palace Festival, the Schwetzingen Festival, the Kronberg Cello Festival, and the Rheingau Music Festival.
He is very busy playing recitals and concerts, including chamber music appearances with other musicians in Europe, Asia, Israel, Oceania and South America, among them Alberto Lysy, Gidon Kremer, Chen Zimbalista, Julius Berger, Danjulo Ishizaka, Nicolas Altstaedt and many more. Concert halls he has played in include the Berlin Philharmonic Hall, the Zurich Tonhalle, the Hamburg Musikhalle, the Kurhaus Wiesbaden, Teatro della Pergola Florence and the Wigmore Hall London. From 1998 to 2008, he taught in the faculty of music at the University of Mainz; since autumn 2008, he has been teaching at the Leopold Mozart Zentrum in the University of Augsburg.

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Composer(s)

Johannes Brahms

Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Within his meticulous structures is embedded, however, a highly romantic nature.

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