Linus Roth / José Gallardo

Sonatas for violin and piano op. 105 & 121 - 4 song arrangements

Price: € 12.95
Format: CD
Label: Challenge Classics
UPC: 0608917234121
Catnr: CC 72341
Release date: 29 May 2009
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Label
Challenge Classics
UPC
0608917234121
Catalogue number
CC 72341
Release date
29 May 2009

"CD-Tip - a reference recording. They play in a heavenly beauty, sparkling vitality and with an excellent balanced sound."

Süddeutsche Zeitung, 24-3-2013
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About the album

What do you particularly like about Schumann’s sonatas?
José Gallardo: These two sonatas are wonderful works; both parts are excellently balanced. The way the violin part dovetails with the piano and the two instruments supplement and communicate with each other is brilliantly composed.
Linus Roth: The third movement of the d minor Sonata is one of my personal favourites. The simplicity and beauty of this melody – but I also find the inner strife and emotional outbursts so characteristic of late Schumann simply heart-rending.

You have also arranged several songs by Schumann yourself for violin and piano. What gave you the idea?
Linus Roth: First of all we came across the version of “Abendlied” (Evening Song) written by Joseph Joachim. It was quite the normal thing for violinists of this era to make the beautiful melodies of a song their own, a tradition continued by violinists like Jascha Heifetz, Nathan Milstein and so forth.

José Gallardo: We think the sheer beauty of this music is truly without limits. The arrange-ments have been created with great respect towards Schumann and out of love for his music.

Were there any other musicians or events that inspired you to embark on this repertoire?
José Gallardo: Schumann has always enjoyed great popularity in Argentina and so his music was performed a great deal. I remember countless concerts with his works, which I heard as a child in Teatro Colon in Buenos Aires. I find it difficult to pick out a specific musician, because the artists who appeared there were always fantastic and world-famous.
Linus Roth: For me it was especially my teacher Prof. Ana Chumachenco.

While I was studying, I had the opportunity of working intensively on these two sonatas with her, and time and again I think back to those really inspiring lessons.
Jong duo brengt sonates van Schumann en liederen van eigen hand
Dit album is gewijd aan muziek voor viool en piano door Robert Schumann. Het bevat twee sonates, Opus 105 in a-klein en Opus 121 in d-klein, en vier arrangementen van liederen. De sonates en liedarrangementen worden gespeeld door José Gallardo en Linus Roth, een pianist en violist die al 10 jaar lang een inspirerend duo vormen. Zij hebben zelf 4 van de liedarrangementen samengesteld.

Als solist heeft Roth gespeeld met de grootste muziekensembles ter wereld, waaronder de Royal Liverpool Philharmonic en de Wiener Kammerphilharmonie. Hij speelt op de “Dancla” Stradivariusviool uit 1703. José Gallardo speelde op grote muziekevenementen, waaronder het Lockenhaus Chamber Music Festival en het Asiago Fetival in Italië.
Der deutsche Geiger Lius Roth gehört zu den interessantesten Musikern der jüngeren Generation und wurde u.a. 2006 für seine Debüt-CD bei EMI CLASSICS mit dem Echo-Klassik-Preis der Deutschen Phono-Akademie als Bester Nachwuchskünstler ausgezeichnet. Seit 1997 spielt er die Stradivari ?Dancla? aus dem Jahr 1703. Der argentinische Pianist José Gallardo ist ein international gefragter Solist und Kammermusikpartner und lehrt seit Herbst 2008 am Leopold Mozart Zentrum der Universität Augsburg. Gemeinsam präsentieren sie hiermit eine sehr eigenständige Interpretation der Schumann-Sonaten, die die Einfachheit und Schönheit der Melodien betont und gleichzeitig die innere Zerrissenheit und emotionalen Ausbrüche dieses späten Schumann-Werkes nachvollziehen lässt. 'Die künstlerische Reife Roths ist angesichts des jungen Alters außergewöhnlich, seine beiläufig kenntliche technische Sicherheit eigentlich Nebensache....' (FAZ)

Artist(s)

Linus Roth

Since he won the Echo Klassik Award for his EMI debut album in 2006 Linus Roth has made a name for himself both as one of the most interesting violinists of his generation and as a champion of wrongly forgotten works and composers. His live performances and his recording of Mieczyslaw Weinberg’s complete works for Violin and Piano for Challenge Classics have brought him both critical and public acclaim. Roth’s commitment to Weinberg is further documented in his recording of Weinberg’s Violin Concerto with the Deutsches Symphonie-Orchester Berlin, the recording of Weinberg´s Concertino with the Württemberg Chamber Orchestra Heilbronn ( both were named „Editor´s Choice“ by the Gramophone Magazin) and the recording of the 3 Violin Solo Sonatas, making him...
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Since he won the Echo Klassik Award for his EMI debut album in 2006 Linus Roth has made a name for himself both as one of the most interesting violinists of his generation and as a champion of wrongly forgotten works and composers. His live performances and his recording of Mieczyslaw Weinberg’s complete works for Violin and Piano for Challenge Classics have brought him both critical and public acclaim. Roth’s commitment to Weinberg is further documented in his recording of Weinberg’s Violin Concerto with the Deutsches Symphonie-Orchester Berlin, the recording of Weinberg´s Concertino with the Württemberg Chamber Orchestra Heilbronn ( both were named „Editor´s Choice“ by the Gramophone Magazin) and the recording of the 3 Violin Solo Sonatas, making him the first violinist to have recorded Weinberg´s complete Violin repertoire . In 2015 Linus Roth founded the International Weinberg Society, an organisation whose mission is to bring more attention to the Œuvre of the Polish-Jewish composer, to help organise concerts, lectures, exhibitions, as well as support publications about his life and recordings of his compositions.
After joining Prof Nicolas Chumachenco’s pre-college division at the Music Academy Freiburg, Linus Roth continued his studies with Prof. Zakhar Bron in Lübeck and with Prof. Ana Chumachenco at the Academies of Zurich and Munich. Salvatore Accardo, Miriam Fried and Josef Rissin all strongly influenced his development as a player as did Anne-Sophie Mutter, whose Foundation awarded him a scholarship for the duration of his studies. In 2012 he was appointed Professor for Violin at the “Leopold-Mozart-Centre” of the University of Augsburg, Germany.
Linus Roth has performed with the Radio Symphony Orchestras of the SWR and Berlin, Bruckner Orchester Linz, Orquesta de Cordoba, Orquesta de Navarra, Orchestra della Teatro San Carlo Napoli, Royal Liverpool Philharmonic, Berner Sinfonieorchester, Orchestra of the State Opera Stuttgart, Vienna Chamber Philharmonic, Cologne Chamber Orchestra, Wuerttemberg Chamber Orchestra Heilbronn and the Munich Chamber Orchestra and has shared the stage with the conductors Gerd Albrecht, Herbert Blomstedt, Andrey Boreyko, Dennis Russell Davies, James Gaffigan, Hartmut Haenchen Manfred Honeck, Mihkel Kütson, Antoni Wit, among others.
A passionate chamber musician, he can be heard with Nicolas Altstaedt, Gautier Capucon, Kim Kashkashian, Albrecht Mayer, Nils Mönkemeyer, Andreas Ottensammerm Itamar Golan and Danjulo Ishizaka and regularly gives recitals with the Argentinian pianist José Gallardo throughout Europe.
Linus Roth plays the A. Stradivari “Dancla” 1703, kindly loaned to him by the “L-Bank, Staatsbank of Baden-Württemberg, Germany”.

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José Gallardo

A native of Buenos Aires, Argentina, José Gallardo started piano lessons at the age of five, at first at the Conservatory in Buenos Aires. Later he continued his studies with Prof. Poldi Mildner in the Faculty of Music at the University of Mainz, completing his diploma in 1997. Even then he realised his first love would be for chamber music. His musical inspiration came from such artists as Menahem Pressler, Alfonso Montecino, Karl-Heinz Kämmerling, Sergiu Celibidache, Rosalyn Tureck and Bernard Greenhouse. José Gallardo has won many national and international awards. Invitations followed for numerous tours and festivals, including the Lockenhaus Chamber Music Festival, the Asiago Festival in Italy, the Ludwigsburg Palace Festival, the Schwetzingen Festival, the Kronberg Cello Festival, and the Rheingau...
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A native of Buenos Aires, Argentina, José Gallardo started piano lessons at the age of five, at first at the Conservatory in Buenos Aires. Later he continued his studies with Prof. Poldi Mildner in the Faculty of Music at the University of Mainz, completing his diploma in 1997. Even then he realised his first love would be for chamber music.
His musical inspiration came from such artists as Menahem Pressler, Alfonso Montecino, Karl-Heinz Kämmerling, Sergiu Celibidache, Rosalyn Tureck and Bernard Greenhouse.
José Gallardo has won many national and international awards. Invitations followed for numerous tours and festivals, including the Lockenhaus Chamber Music Festival, the Asiago Festival in Italy, the Ludwigsburg Palace Festival, the Schwetzingen Festival, the Kronberg Cello Festival, and the Rheingau Music Festival.
He is very busy playing recitals and concerts, including chamber music appearances with other musicians in Europe, Asia, Israel, Oceania and South America, among them Alberto Lysy, Gidon Kremer, Chen Zimbalista, Julius Berger, Danjulo Ishizaka, Nicolas Altstaedt and many more. Concert halls he has played in include the Berlin Philharmonic Hall, the Zurich Tonhalle, the Hamburg Musikhalle, the Kurhaus Wiesbaden, Teatro della Pergola Florence and the Wigmore Hall London. From 1998 to 2008, he taught in the faculty of music at the University of Mainz; since autumn 2008, he has been teaching at the Leopold Mozart Zentrum in the University of Augsburg.

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Composer(s)

Robert Schumann

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in...
more
Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favour of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which, before her marriage, formed a substantial part of her father's fortune.
Schumann suffered from a mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to a mental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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Press

CD-Tip - a reference recording. They play in a heavenly beauty, sparkling vitality and with an excellent balanced sound.
Süddeutsche Zeitung, 24-3-2013

No quote
The Strad, 01-10-2009

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Often bought together with..

Violin Concertos
Linus Roth / Deutsches Symphonie-Orchester Berlin / Mihkel Kütson
Complete sonatas and works
Linus Roth / José Gallardo

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