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Weihnachts-Oratorium
Johann Sebastian Bach

Combattimento Consort Amsterdam

Weihnachts-Oratorium

Price: € 12.95 9.07
Format: CD+Book
Label: Challenge Classics
UPC: 9789087490096
Catnr: CC 76608
Release date: 01 November 2006
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Label
Challenge Classics
UPC
9789087490096
Catalogue number
CC 76608
Release date
01 November 2006
Album
Artist(s)
Composer(s)
EN
NL
DE

About the album

Bach’s celebrated Christmas Oratorio forges a link between birth and deliverance: the birth of Christ is not only the birth of light, of innocence; this joyful event is equally characterized by suffering. In this respect the Christmas Oratorio is akin to the St. Matthew Passion and the St. John Passion. Guilt and innocence, suffering and deliverance are present from the moment a mother holds her child in her arms.

This book on Bach’s Christmas Oratorio lends credence to Jan Willem de Vriend’s musical interpretation of the work. It comprises an interview with De Vriend himself, carried out by the musicologist Frits de Haen, a short history of how the work came into being and an article on the liturgical significance of the six cantatas by the internationally renowned musicologist Robin A. Leaver.

The book is also replete with eight full-page photos, which explore the Mother & Child theme across the globe, taken by the photographer Eddy Posthuma de Boer.
Een unieke interpretatie van Bachs Weihnachtsoratorium
Dirigent Jan Willem de Vriend zorgt in deze uitvoering, voor een eigenzinnige en dynamische versie van het Weihnachtsoratorium van Johann Sebastian Bach. Uitvoerenden zijn naast Cappella Amsterdam het Combattimento Consort Amsterdam (sinds 2014 Combattimento dat, met haar frisse en originele uitvoeringen, een belangrijk ensemble is binnen de Nederlandse kamermuziekscene.

Bachs gevierde Weihnachtsoratorium vormt een schakel tussen geboorte en verlossing. De geboorte van Christus is niet alleen de geboorte van licht en onschuld; ook het lijden karakteriseert deze heuglijke gebeurtenis. In dit opzicht is het Weihnachtsoratorium verwant aan de Matthäus Passion en de Johannes-Passion. Schuld en onschuld en lijden en verlossing zijn aanwezig vanaf het moment dat een moeder haar kind in haar armen sluit.

Het vroegere Combattimento Consort Amsterdam werd opgericht en geleid door Jan Willem de Vriend. Hij wilde zich echter volledig op zijn dirigentschap richten en stopte na 31 jaar met het ensemble. Het ensemble werd voortgezet onder de naam Combattimento. Het gezelschap speelt muziek uit de barokperiode, maar op hedendaagse instrumenten. Overtuigd als ze zijn dat de klankintensiteit van deze instrumenten beter aansluit bij de huidige concertbezoeker. Combattimento wil klassieke muziek levendig en boeiend maken en komt graag naar de luisteraar toe. Het ensemble speelt dan ook veel op kleinere podia.

Dieses Buch enthält ein Interview mit de Vriend, einen Essay über die Rhetorik der wortgebundenen Musik Bachs von Boris Kehrmann und einen Aufsatz über den liturgischen Kontext der sechs Kantaten von dem international renommierten Bach-Forscher Robin A. Leaver. Die Fotos des reich illustrierten Bandes stammen von Eddy Postuma de Boer und gehen dem Thema Mutter und Kind rund um den Erdball nach. Die Aufnahme des Weihnachtsoratoriums, die diesem Buch auf zwei SACDs beiliegt, begeistert nicht nur durch die feinsinnige und dynamische Interpretation, sondern auch durch eine besonders ausgefeilte Aufnahmetechnik im Surround-Sound, die erste dieser Art auf dem Tonträger-Markt.

Artist(s)

Jan Willem de Vriend

Jan Willem de Vriend, designated “a godsend from the Netherlands” by the Neue Zürcher Zeitung, is driven by the pioneering spirit of historically informed perfomance practice. As music director of the Combattimento Consort Amsterdam, which he founded in 1982, he specialised in repertoire of the 17th and 18th centuries, reviving a wealth of rarely heard works through historically informed performances on modern instruments, praised by Gramophone magazine for their “technical finesse and a lively feeling for characterization”. An award-winner for his creative contribution to classical music, Jan Willem de Vriend has more than 50,000 followers on Spotify and is in demand as a conductor around the world, appearing regularly with such orchestras as the Royal Concertgebouw Amsterdam, Rotterdam Philharmonic, Residentie Orkest...
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Jan Willem de Vriend, designated “a godsend from the Netherlands” by the Neue Zürcher Zeitung, is driven by the pioneering spirit of historically informed perfomance practice. As music director of the Combattimento Consort Amsterdam, which he founded in 1982, he specialised in repertoire of the 17th and 18th centuries, reviving a wealth of rarely heard works through historically informed performances on modern instruments, praised by Gramophone magazine for their “technical finesse and a lively feeling for characterization”.
An award-winner for his creative contribution to classical music, Jan Willem de Vriend has more than 50,000 followers on Spotify and is in demand as a conductor around the world, appearing regularly with such orchestras as the Royal Concertgebouw Amsterdam, Rotterdam Philharmonic, Residentie Orkest Den Haag, Belgian National Orchestra, Tonhalle Zurich, Orchestre National de Lyon, Bergen Philharmonic, Warsaw Philharmonic, the symphony orchestras of Netherlands Radio and Hessischer Rundfunk (Frankfurt Radio Symphony), Melbourne Symphony, Yomiuri Nippon Symphony and Hong Kong Philharmonic. He is Principal Conductor Designate of the Vienna Chamber Orchestra, and Principal Guest Conductor of the City of Kyoto Symphony Orchestra, Principal Guest Conductor of the Stuttgart Philharmonic and Orchestre National de Lille, and former Principal Guest Conductor of the Orquestra Simfònica de Barcelona i Nacional de Catalunya and the Brabant Orchestra.
For the Challenge Classics label, de Vriend and the Netherlands Symphony Orchestra have recorded the complete Mendelssohn symphonies and all Beethoven’s symphonies and concertos with, among others, pianist Hannes Minnaar and violinist Liza Ferschtman. De Vriend’s interpretation of the Symphony No 7 prompted Classic FM to admire “a bounding flair that does real justice to the composer’s capacity for joy”. A further landmark of his recorded catalogue is his complete recording of the Schubert symphonies with the Residentie Orkest Den Haag.
De Vriend’s collaborative spirit is equally evident in his work for the stage, notably with opera director Eva Buchmann and Combattimento Consort Amsterdam. In addition to works by Monteverdi, Haydn, Handel and Telemann, their productions in Europe and the USA have included staged versions of Bach’s ‘Hunting’ and ‘Coffee’ Cantatas at the Bachfest Leipzig, and operas by Mozart, Rossini, Verdi and Cherubini, among them Mozart’s Don Giovanni und Rossini’s La gazzetta, both toured in Switzerland. De Vriend has also conducted operatic productions in Amsterdam (with the Nederlandse Reisopera), Barcelona, Strasbourg, Lucerne, Schwetzingen and Bergen.

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Cappella Amsterdam

Cappella Amsterdam was established by Jan Boeke in 1970 and has, since 1990, been under the artistic leadership of Daniel Reuss. In recent years the choir has occupied a prominent position in the field of Dutch music and has also enjoyed great success in Europe and beyond. Cappella Amsterdam is renowned for it’s homogenous, refined consonance and its extraordinary versatility. The choir excels in both modern repertoires as in music by the old masters and especially embraces the works of Dutch composers. The choir has special attention for works by Dutch composers, from Sweelinck to Andriessen and Ton de Leeuw. Cappella Amsterdam adamant about bringing Dutch musical heritage towards audiences in The Netherlands and abroad.  Not only does Cappella enjoys success with her...
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Cappella Amsterdam was established by Jan Boeke in 1970 and has, since 1990, been under the artistic leadership of Daniel Reuss. In recent years the choir has occupied a prominent position in the field of Dutch music and has also enjoyed great success in Europe and beyond.

Cappella Amsterdam is renowned for it’s homogenous, refined consonance and its extraordinary versatility. The choir excels in both modern repertoires as in music by the old masters and especially embraces the works of Dutch composers.
The choir has special attention for works by Dutch composers, from Sweelinck to Andriessen and Ton de Leeuw. Cappella Amsterdam adamant about bringing Dutch musical heritage towards audiences in The Netherlands and abroad. Not only does Cappella enjoys success with her own productions but also through collaborations with other renowned choirs, ensembles and orchestras, such as the Orchestra of the Eighteenth Century and Asko|Schönberg.


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Jörg Dürmüller

The Swiss lyric tenor, Jörg Dürmüller, studied violin and voice at the Winterthur Conservatoire in Switzerland with Ruth Binder (1977-1982), and with a scholarship of the Migros-Genossenschafts-Bund at the Academy of Music and Theatre in Hamburg with Naan Pöld, Hans Kagel and Hertha Werner (1982-1987). He attended master-classes given by Edith Mathis, Christa Ludwig and Hermann Prey. Jörg Dürmüller's first opera-engagement led him in 1987 to the Bielefeld City Theatre, where he was a member of the ensemble for five years. From 1995 to 1997 he was engaged as the first tenor at the Brunswick State Theatre under Kammersängerin Brigitte Fassbaender. He appeared also at the State Opera of Hamburg, and at the Theatre in Revier Gelsenkirchen. In 1996 he appeared as a guest at the Comic Opera Berlin...
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The Swiss lyric tenor, Jörg Dürmüller, studied violin and voice at the Winterthur Conservatoire in Switzerland with Ruth Binder (1977-1982), and with a scholarship of the Migros-Genossenschafts-Bund at the Academy of Music and Theatre in Hamburg with Naan Pöld, Hans Kagel and Hertha Werner (1982-1987). He attended master-classes given by Edith Mathis, Christa Ludwig and Hermann Prey.
Jörg Dürmüller's first opera-engagement led him in 1987 to the Bielefeld City Theatre, where he was a member of the ensemble for five years. From 1995 to 1997 he was engaged as the first tenor at the Brunswick State Theatre under Kammersängerin Brigitte Fassbaender. He appeared also at the State Opera of Hamburg, and at the Theatre in Revier Gelsenkirchen. In 1996 he appeared as a guest at the Comic Opera Berlin in the role of Fernando in Così fan tutte produced by Harry Kupfer, and at the National Theatre of Braunschweig as Andres in Wozzeck by Alban Berg. In 2002 and 2003 he sang the role of Bajazete in George Frideric Handel’s Tamerlano also at the Opera Comique Berlin directed by David Alden.

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Combattimento Consort Amsterdam

Over the past 30 years, Combattimento Consort Amsterdam has established a strong national and international reputation. The ensemble is famous for the high quality and energy of its performances. That, together with its varied and often surprising and unfamiliar repertoire, for formations ranging from chamber ensemble to chamber orchestra, and from oratorios to operas, has made it one of the most successful Baroque ensembles in the world. The Combattimento Consort’s roughly 60 performances a year are distinguished by the originality of the ensemble’s presentation, led by one of the trend-setting conductors in Dutch musical life, Jan Willem de Vriend, who in November 2012 received the Radio 4 Prize.   The Combattimento Consort has gone on a number of tours in recent years...
more
Over the past 30 years, Combattimento Consort Amsterdam has established a strong national and international reputation. The ensemble is famous for the high quality and energy of its performances. That, together with its varied and often surprising and unfamiliar repertoire, for formations ranging from chamber ensemble to chamber orchestra, and from oratorios to operas, has made it one of the most successful Baroque ensembles in the world. The Combattimento Consort’s roughly 60 performances a year are distinguished by the originality of the ensemble’s presentation, led by one of the trend-setting conductors in Dutch musical life, Jan Willem de Vriend, who in November 2012 received the Radio 4 Prize.
The Combattimento Consort has gone on a number of tours in recent years to Germany, Spain, Central Europe, South America, Japan, Russia and the United States. It has recorded more than 35 CDs and DVDs – this year, its CD of Handel’s Concerto Grossi op. 6 will be released. The ensemble has worked with prominent soloists such as Barbara Bonney, Andreas Scholl and Sol Gabeta, Thomas Zehetmair and Sabine Meyer, as well as with the Netherlands Chamber Choir, the Nationale Reisopera and Cappella Amsterdam. The spearhead of its artistic direction is the performance of unfamiliar and as yet unpublished repertoire. Innumerable searches through libraries, churches and cloisters over the past 30 years have resulted in a notable collection of remarkable performances. In 2007, for example, Combattimento Consort Amsterdam presented Arminio, the only surviving opera of Heinrich Ignaz Franz von Biber. Over the years, it has developed a distinctive style of playing, which has even come to be known as the “Combattimento School” of performance. Recognizable and energetic, inventive, style-conscious and inspiring. The ensemble presents itself as a “consort”, but with the visibility of the “individual”. Jan Willem de Vriend leads the Combattimento Consort from the “first chair”, appearing as a conductor only in the larger productions (operas and oratorios). The instrumental soloists are in most cases members of the ensemble.

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Daniël Reuss (conductor)

Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Disc #1
01.
Weihnachts-Oratorium : I. Chor - Jauchzet, frohlocket, auf, preiset die Tage
07:34
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
02.
Weihnachts-Oratorium : II. Rezitativ (Evangelist) - Es begab sich aber zu der Zeit
01:08
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
03.
Weihnachts-Oratorium : III. Rezitativ (Alt) - Nun wird mein liebster Bräutigam
00:54
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
04.
Weihnachts-Oratorium : IV. Arie (Alt) - Bereite dich, Zion
05:07
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
05.
Weihnachts-Oratorium : V. Choral - Wie soll ich dich empfangen
01:11
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
06.
Weihnachts-Oratorium : VI. Rezitativ (Evangelist) - Und sie gebar ihren ersten Sohn
00:20
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
07.
Weihnachts-Oratorium : VII. Choral und Rezitativ (Sopran, Bass) - Er ist auf Erden kommen arm
02:32
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
08.
Weihnachts-Oratorium : VIII. Arie (Bass) - Großer Herr, o starker König
04:20
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
09.
Weihnachts-Oratorium : IX. Choral - Ach mein herzliebes Jesulein
01:18
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
10.
Weihnachts-Oratorium : X. Sinfonia
04:42
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
11.
Weihnachts-Oratorium : XI. Rezitativ (Evangelist) - Und es waren Hirten in derselben Gegend
00:35
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
12.
Weihnachts-Oratorium : XII. Choral - Brich an, o schönes Morgenlicht
01:08
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
13.
Weihnachts-Oratorium : XIII. Rezitativ (Evangelist, der Engel) - Und der Engel sprach zu ihnen
00:41
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
14.
Weihnachts-Oratorium : XIV. Rezitativ (Bass) - Was Gott dem Abraham verheißen
00:43
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
15.
Weihnachts-Oratorium : XV. Arie (Tenor) - Frohe Hirten, eilt, ach eilet
03:19
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
16.
Weihnachts-Oratorium : XVI. Rezitativ (Evangelist) - Und das habt zum Zeichen
00:20
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
17.
Weihnachts-Oratorium : XVII. Choral - Schaut hin, dort liegt im finstern Stall
00:34
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
18.
Weihnachts-Oratorium : XVIII. Rezitativ (Bass) - So geht denn hin, ihr Hirten, geht
00:46
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
19.
Weihnachts-Oratorium : XIX. Arie (Alt) - Schlafe, mein Liebster, genieße der Ruh
09:02
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
20.
Weihnachts-Oratorium : XX. Rezitativ (Evangelist) - Und alsobald war da bei dem Engel
00:10
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
21.
Weihnachts-Oratorium : XXI. Chor - Ehre sei Gott in der Höhe
02:32
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
22.
Weihnachts-Oratorium : XXII. Rezitativ (Bass) - So recht, ihr Engel, jauchzt und singet
00:25
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
23.
Weihnachts-Oratorium : XXIII. Choral - Wir singen dir in deinem Heer
01:21
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
24.
Weihnachts-Oratorium : XXIV. Chor - Herrscher des Himmels, erhöre das Lallen
01:40
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
25.
Weihnachts-Oratorium : XXV. Rezitativ (Evangelist) - Und da die Engel von ihnen gen Himmel fuhren
00:07
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
26.
Weihnachts-Oratorium : XXVI. Chor - Lasset uns nun gehen gen Bethlehem
00:44
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
27.
Weihnachts-Oratorium : XXVII. Rezitativ (Bass) - Er hat sein Volk getröst´
00:45
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
28.
Weihnachts-Oratorium : XXVIII. Choral - Dies hat er alles uns getan
00:50
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
29.
Weihnachts-Oratorium : XXIX. Duett (Sopran, Bass) - Herr, dein Mitleid, dein Erbarmen
07:14
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
30.
Weihnachts-Oratorium : XXX. Rezitativ (Evangelist) - Und sie kamen eilend
01:10
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
31.
Weihnachts-Oratorium : XXXI. Arie (Alt) - Schließe, mein Herze, dies selige Wunder
04:53
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
32.
Weihnachts-Oratorium : XXXII. Rezitativ (Alt) - Ja, ja, mein Herz soll es bewahren
00:27
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
33.
Weihnachts-Oratorium : XXXIII. Choral - Ich will dich mit Fleiß bewahren
00:56
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
34.
Weihnachts-Oratorium : XXXIV. Rezitativ (Evangelist) - Und die Hirten kehrten wieder um
00:21
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
35.
Weihnachts-Oratorium : XXXV. Choral - Seid froh dieweil
00:36
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
36.
Weihnachts-Oratorium : XXXVb. Chor - Herrscher des Himmels, erhöre das Lallen
01:45
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam

Disc #2
01.
Weihnachts-Oratorium : XXXVI. Chor - Fallt mit Danken, fallt mit Loben
05:45
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
02.
Weihnachts-Oratorium : XXXVII. Rezitativ (Evangelist) - Und da acht Tage um waren
00:29
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
03.
Weihnachts-Oratorium : XXXVIII. Rezitativ (Bass) - Duett (Sopran, Bass) - Immanuel, o süßes Wort!
02:03
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
04.
Weihnachts-Oratorium : XXXIX. Arie (Sopran und Echo-Sopran) - Flößt, mein Heiland, fl ößt, dein Namen
05:11
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
05.
Weihnachts-Oratorium : XL. Rezitativ und Choral (Bass, Sopran) - Wohlan dein Name soll allein
01:14
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
06.
Weihnachts-Oratorium : XLI. Arie (Tenor) - Ich will nur dir zu Ehren leben
04:36
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
07.
Weihnachts-Oratorium : XLII. Choral - Jesus richte mein Beginnen
02:09
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
08.
Weihnachts-Oratorium : XLIII. Chor - Ehre sei dir, Gott, gesungen
06:07
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
09.
Weihnachts-Oratorium : XLIV. Rezitativ (Evangelist) - Da Jesus geboren war zu Bethlehem
00:21
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
10.
Weihnachts-Oratorium : XLV. Chor und Rezitativ (Alt) - Wo ist der neugeborne König der Jüden?
01:53
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
11.
Weihnachts-Oratorium : XLVI. Choral - Dein Glanz all Finsternis verzehrt
00:52
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
12.
Weihnachts-Oratorium : XLVII. Arie (Bass) - Erleucht auch meine finstre Sinnen
04:31
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
13.
Weihnachts-Oratorium : XLVIII. Rezitativ (Evangelist) - Da das der König Herodes hörte
00:10
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
14.
Weihnachts-Oratorium : XLIX. Rezitativ (Alt) - Warum wollt ihr erschrekken?
00:29
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
15.
Weihnachts-Oratorium : L. Rezitativ (Evangelist) - Und ließ versammlen alle Hohepriester
01:17
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
16.
Weihnachts-Oratorium : LI. Terzett (Sopran, Alt, Tenor) - Ach, wenn wird die Zeit erscheinen?
05:41
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
17.
Weihnachts-Oratorium : LII. Rezitativ (Alt) - Mein Liebster herrschet schon
00:30
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
18.
Weihnachts-Oratorium : LIII. Choral - Zwar ist solche Herzensstube
00:57
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
19.
Weihnachts-Oratorium : LIV. Chor - Herr, wenn die stolzen Feinde schnauben
04:44
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
20.
Weihnachts-Oratorium : LV. Rezitativ (Evangelist, Herodes) - Da berief Herodes die Weisen heimlich
00:48
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
21.
Weihnachts-Oratorium : LVI. Rezitativ (Sopran) - Du Falscher, suche nur den Herrn zu fällen
00:56
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
22.
Weihnachts-Oratorium : LVII. Arie (Sopran) - Nur ein Wink von seinen Händen
04:04
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
23.
Weihnachts-Oratorium : LVIII. Rezitativ (Evangelist) - Als sie nun den König gehöret hatten
01:02
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
24.
Weihnachts-Oratorium : LIX. Choral - Ich steh an deiner Krippen hier
00:58
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
25.
Weihnachts-Oratorium : LX. Rezitativ (Evangelist) - Und Gott befahl ihnen im Traum
00:20
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
26.
Weihnachts-Oratorium : LXI. Rezitativ (Tenor) - So geht! Genug, mein Schatz geht nicht von hier
01:51
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
27.
Weihnachts-Oratorium : LXII. Arie (Tenor) - Nun mögt ihr stolzen Feinde schrekken
04:08
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
28.
Weihnachts-Oratorium : LXIII. Rezitativ (Sopran, Alt, Tenor, Bass) - Was will der Höllen Schrekken nun
00:36
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
29.
Weihnachts-Oratorium : LXIV. Choral - Nun seid ihr wohl gerochen
03:14
(Johann Sebastian Bach) Cappella Amsterdam, Combattimento Consort Amsterdam
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Johann Sebastian Bach
Christmas Oratorio
Combattimento Consort Amsterdam
Johann Sebastian Bach
Christmas Cantatas - Weihnachtskantaten
Ton Koopman / The Amsterdam Baroque Orchestra & Choir

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Complete Symphonies & Concertos (box set)
The Netherlands Symphony Orchestra / Jan Willem de Vriend
Franz Schubert
The Complete Symphonies Vol. 3 Symphony No.9, D.944
Residentie Orkest The Hague / Jan Willem de Vriend
Ludwig van Beethoven
Complete Works for Piano Trio (box set)
Van Baerle Trio
Ludwig van Beethoven
Complete Works for Piano Trio vol. 5
Van Baerle Trio | Residentie Orkest The Hague
Franz Schubert
The Complete Symphonies Vol. 2 Symphony No.1, D.82 / Symphony No.3 D.200 / Symphony No.8 D.759
Residentie Orkest The Hague / Jan Willem de Vriend
Johann Sebastian Bach
Matthäus Passion (limited edition)
Ton Koopman / The Amsterdam Baroque Orchestra & Choir
Franz Schubert
The Complete Symphonies Vol. 1 Symphony No. 2 D. 125 / Symphony No. 4 D. 417
Residentie Orkest The Hague / Jan Willem de Vriend