La Petite Bande (Belgium) was founded in 1972 by Sigiswald Kuijken at the request of the record company Harmonia Mundi (Germany) in order to record Lully's Le Bourgeois Gentilhomme, under the direction of Gustav Leonhardt. The orchestra takes its name and constitution from Lully's own orchestra at the court of Louis XIV. All its members are internationally renowned specialists in the early music field.

Although originally La Petite Bande was not meant to become a permanent orchestra, the success of the recordings was such that they began to give concerts regularly. Having initially concentrated mainly on French music, the orchestra's repertoire has expanded over the years to include music by the Italian masters and that of Bach, Handel, Gluck, Haydn, Mozart and others.

The 18-part CD series 'Cantatas of J.S. Bach' (ACCENT) is complete since February 2014. Sigiswald Kuijken

applies the latest findings in Bach research: no choir, but rather a vocal quartet together with a minimal instrumental scoring. In this way, the fine musical texture of these cantatas can be much better (and more naturally) revealed.

La Petite Bande has recorded instrumental as well as vocal music, including operas and oratorios from the Baroque and Classical periods. La Petite Bande currently makes recordings for Accent, Challenge, Deutsche Harmonia Mundi, Denon, Seon/Virgin and Hyperion.

La Petite Bande has performed in a multitude of international festivals and concert series, in Europe, Japan, Australia, South America and China.

From 1997 to 2018, La Petite Bande was resident in the city of Leuven.

Sigiswald Kuijken was born in 1944 close to Brussels. He studied violin at the conservatories of Bruges and Brussels, completing his studies at the latter institution with Maurice Raskin in 1964. He came into contact with early music at a very young age, together with his brother Wieland. Studying on his own, he gained a thorough knowledge of specific 17th- and 18th-century performance techniques and conventions of interpretation on violin and viola da gamba. This led to the introduction, in 1969, of a more authentic way of playing the violin, whereby the instrument was no longer held under the chin, but lay freely on the shoulder; this was to have a crucial influence on the approach to the violin repertoire and was consequently adopted by many players starting in the early 1970s.
From 1964 to 1972, Sigiswald Kuijken was a member of the Brussels-based Alarius Ensemble (with Wieland Kuijken, Robert Kohnen and Janine Rubinlicht), which performed throughout Europe and in the United States. He subsequently undertook individual chamber music projects with a number of Baroque music specialists, chief among which were his brothers Wieland and Barthold and Robert Kohnen, as well as Gustav Leonhardt, Frans Brüggen, Anner Bylsma and René Jacobs.
In 1972, with the encouragement of Deutsche Harmonia Mundi and Gustav Leonhardt, he founded the Baroque orchestra La Petite Bande, which since then has given innumerable concerts throughout Europe, Australia, South America, China and Japan, and has made many recordings for a number of labels (including Deutsche Harmonia Mundi, Seon, Virgin, Accent, Denon, Hyperion and Challenge.
In 1986 he founded the Kuijken String Quartet (with François Fernandez, Marleen Thiers and Wieland Kuijken), which specialises in the quartets and quintets of the Classical period. Recordings of quartets and quintets by Mozart and Haydn have appeared on Denon and Challenge.
Since 1998 Sigiswald Kuijken occasionally brings together two generations Kuijken (his daughters Veronica and Sara and his brother Wieland) to perform string quartets of later periods (Debussy, Schumann, Beethoven, Schubert) often combined with Lieder by Marie Kuijken, soprano and also daughter of Sigiswald, and Veronica Kuijken, piano. Recordings of the two generations have been made for Arcana and Challenge Records.
In 2004 Sigiswald Kuijken reintroduced in practical performance the violoncello da spalla (shoulder cello) very probably the instrument Bach had in mind when writing his six suites for violoncello solo.
From 1971 to 1996, Sigiswald Kuijken taught Baroque violin at the Koninklijk Conservatorium in The Hague and from 1993 to 2009 at the Koninklijk Muziekconservatorium in Brussels.
For many years he was a guest teacher at institutions such as the Royal College of Music in London, Salamanca University, the Accademia Chigiana in Siena, the Conservatoire of Geneva and the Musikhochschule of Leipzig. Since 1998, Sigiswald Kuijken occasionally conducts “modern” symphonic orchestras in romantic programs ( Beethoven, Schumann, Brahms, Mendelssohn).

The Slovak mezzo-soprano, Petra Noskaiová, studied Music at the Bratislava Conservatory from 1988 to 1994 and vocal music with Ruena Illenbergova. Since her main fields of interest were the Baroque and the Renaissance liturgical music, she further studied with Marius van Altena, Harry van der Kamp and Sigiswald Kuijken. Later, she participated in master-classes under the baton of Sigiswald Kuijken.
Petra Noskaiová has worked regularly with numerous musical ensembles such as Musica Aeterna Bratislava, Capella Regia Musicalis, Musica Florea, Ensemble Inegal, Teatro Lirico, La Petite Bande, and acompanied also Andrew Parrott, Stephen Stubbs, Sigiswald Kuijken, Harry van der Kamp, Suzie LeBlanc, Howard Crook, Barbara Schlick and Paul Elliott. Her recent projects are J.M. Leclair's Scylla and Glaucus with the Collegium Marianum under the baton of Simon Standage in Prague, and W.A. Mozart's Requiem and Haydn's Sieben letzte Worte with the La Petite Bande under the baton of Sigiswald Kuijken.
Petra Noskaiová regularly performs for the Slovak Radio and produces recordings for Slovart, Dynamic and Matou. In addirion, she paricipates oftenly at prestigious international festivals such as the Festival Oude Muziek in Utrecht, Days of Early Music in Bratislava and the Festival of Ambronay.

The Belgian baritone, Jan van der Crabben, studied first piano with Aquiles delle Vigne at the Etterbeek Academy, and then transferred to the Royal Conservatory of Music in Brussels, where his teachers included Louis Devos. He completed his studies there in 1989, graduating with a first prize and the highest distinction. In 1990 he continued his studies privately with Vera Rosza in London. Also that year he won prizes for the best Interpretation of a French Song and for Contemporary Music at the Concours International d'Oratorio et de Lied in Clermont-Ferrand.
Jan van der Crabben is active as a soloist both in Belgium and abroad and among the conductors with whom he has worked are Andrew Lawrence-King, Patrick Peire, Alexander Rahbari and Pierre Bartholomée. He has also appeared at numerous festivals, including the Festival de Chambord and the Flanders Festival, and has taken part in master-classes with Elio Battaglia, Bernhard Kruysen and Margaret Honig. In 1991 he created the title role in the world première of Lucien Posman’s opera Hercules Hoché. But his chief interests remain the oratorio and the German Lied. He has made several recordings of works by W.A. Mozart, J.S. Bach, George Frideric Handel, Fiocco, De Fesch, Schubert and Heinrich von Herzogenberg. In 1996 he was a semi-finalist in the Queen Elisabeth Competition in Brussels.