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Monk's corner

Johannes Mössinger

Monk's corner

Price: € 8.95
Format: CD
Label: Double Moon Records
UPC: 0608917103229
Catnr: DMCHR 71032
Release date: 01 January 2002
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Label
Double Moon Records
UPC
0608917103229
Catalogue number
DMCHR 71032
Release date
01 January 2002
Album
Artist(s)
Composer(s)
EN

About the album

Johannes Mössinger, piano | Kermit Driscoll, bass | German Klaiber, bass | Karl Latham, drums
special guest: Joe Lovano, saxophone

Johannes Mössinger deserves credit for this album, which is another mosaic stone in the continuation of his successful career. In the wake of 5 CDs (two of them on Double Moon Records), which he has recorded, and appearances on international stages from Lebanon all the way to New York and Washington, “Monk’s Corner” has the potential to make him known outside of Germany too.
We suggest “Brilliant Corners” as a song you’ve got to hear and which does not have to take a back seat to the first legendary recording with Sonny Rollins. This song makes it especially clear why Joe Lovano was so excited upon hearing this trio!


Artist(s)

Johannes Mössinger

Johannes Mössinger – one of the most remarkable young German pianists – was able to win over bassist German Klaiber and the drummer Karl Latham for a tour. The theme of the concert series was formed by the compositions of the legendary Thelonious Monk in original arrangements and individual interpretations. At the end of the tour, the three were in total agreement: they had to take this program into the studio. After Joe Lovano heard the first recordings, which were made of the tour trio in Germany, he spontaneously declared that he was willing to play along on a few songs in New York as an additional treat.
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Johannes Mössinger – one of the most remarkable young German pianists – was able to win over bassist German Klaiber and the drummer Karl Latham for a tour. The theme of the concert series was formed by the compositions of the legendary Thelonious Monk in original arrangements and individual interpretations. At the end of the tour, the three were in total agreement: they had to take this program into the studio. After Joe Lovano heard the first recordings, which were made of the tour trio in Germany, he spontaneously declared that he was willing to play along on a few songs in New York as an additional treat.

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