Liza Ferschtman / Inon Barnatan

Works for piano and violin

Price: € 19.95
Format: CD
Label: Challenge Classics
UPC: 0608917217421
Catnr: CC 72174
Release date: 07 May 2007
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Label
Challenge Classics
UPC
0608917217421
Catalogue number
CC 72174
Release date
07 May 2007
Album
Artist(s)
Composer(s)
EN
NL
DE

About the album

This recording presents two great masterpieces and a song. At first sight they have not so much in common, one is a sonata, one a fantasy, one a song. One is by a composer known in general for his boisterous music, the other two by a composer more known for his melancholy. But the content of these two masterpieces (the fantasy takes its main theme from the song) show how many parallels there were between this surprisingly poetic, lyrical style of Beethoven to that of Schubert.

Though there is a big difference between the two composers, there is a certain quality, depth and emotion coming through serenity and lyricism, that these pieces share. Both are mature works: Beethovens the 10th and last of his sonatas, Schuberts Fantasy written in the last year of his life.

Mozart and Haydn had written sonatas for piano and violin before Beethoven, in which the piano is the dominating instrument, the violin playing a subordinate role. With his violin and cello sonatas, Beethoven has changed the nature of the relationship between the instruments, and elevated them to a new art form in which the bowed instruments are in virtuoso dialogue with the piano.
Een romantische verrassing van Beethoven en Schubert
De jonge Nederlandse violiste Liza Ferschtman speelt samen met de Israëlische pianist Inon Barnatan muziek van Franz Schubert en Ludwig van Beethoven. Op dit eerste album van Ferschtman staan een sonate, een fantasie en een lied. De Sonate no. 10 van Beethoven, zijn laatste sonate, is veel gespeeld. Dat geldt niet voor de Fantasie voor piano en viool Sei mir gegrüsst, het stuk dat Schubert in zijn laatste levensjaar componeerde. Als toegift spelen Liza en Inon nog een eigen bewerking van het lied dat Schubert eigenlijk voor stem en piano schreef. Je zou denken dat de muziekstijlen van Beethoven, wat droevig en Schubert meer onstuimig, niet direct goed samengaan. Niets is minder waar. De 2 musici toveren met klanken. Ze laten met hun zeldzaam mooie spel, de meesterwerken in deze opname samenvloeien in diepte en emotie en zorgen zo voor een romantische verrassing.

Violiste Liza Ferschtmann werd geboren als dochter van bekende Russische musici. Haar vader was cellist en haar moeder pianiste. Op haar 5e kreeg ze al vioolles van de bekende violist Philippe Hirschhorn. Nog vele belangrijke leraren zouden volgen, waaronder Herman Krebbers. Liza Ferschtman geldt, zoals haar website beschrijft, "als een van de meest interessante muzikale persoonlijkheden van deze tijd. Met haar gepassioneerde spel en grote podiumuitstraling weet zij het publiek te raken." Ze heeft gespeeld met grote orkesten, zoals het Koninklijk Concertgebouworkest, het Rotterdams Philharmonisch Orkest en het London Philharmonic. In 2006 ontving Ferschtman de Nederlandse Muziekprijs; de hoogste onderscheiding voor musici in Nederland.

Inon Barnatan, in 1979 geboren in Tel Aviv, Israël, is klassiek pianist, woont in New York en speelt vaak werken van hedendaagse componisten. Hij studeerde onder andere aan de Royal Academy of Music in Londen. In 2014 werd hij de eerste Artist in Association bij The New York Philharmonic, waarbij een aankomend artiest 3 seizoenen lang in de spotlights staat. Barnatan won vele prestigieuze prijzen.
Diese Aufnahme präsentiert Werke, die den Künstlern sehr am Herzen liegen: Eine Sonate, eine Fantasie und ein Lied. Die russisch-stämmige Geigerin Liza Ferschtman - vor kurzem mit dem Dutch Music Award ausgezeichnet und Meisterschülerin von Igor Oistrach - nimmt sich diesen wunderschönen, klassisch-romantischen Stücken mit beherztem Zugriff an und macht diese zu einem persönlichem Bekenntnis einer leidenschaftlichen Seele. Ihr zur Seite ist der israelische Pianist Inor Barnatan, der den Klavierpart keineswegs begleitend sieht und somit die Modernität dieser Werke unterstreicht.

Artist(s)

Liza Ferschtman
Dutch violinist Liza Ferschtman is known for her passionate performances, interesting programs and communicative qualities on stage. She is equally at home on the concert stage with concertos, chamber music, recitals and solo works. In 2006 she received the highest accolade awarded to a musician in the Netherlands, the Dutch Music Prize.

Born into a family of Russian musicians, Liza Ferschtman was constantly surrounded by music.

One of her earliest major influences was the violinist Philipp Hirschhorn, a close family friend. She received her formal training from Herman Krebbers at the Amsterdam Conservatory, Ida Kavafian at the Curtis Institute in Philadelphia and David Takeno in London.

In recent years Liza Ferschtman has performed with all significant Dutch Orchestras, including the Royal Concertgebouw and the Rotterdam Philhamonic. She has been soloist of the Orchestre National de Belgique, European Union Youth Orchestra, Yomiuri Nippon Orchestra, Malaysian Philharmonic, Schleswig-Holstein Festival Orchestra, Bremen Philharmonic, Radio Symphony Orchestra of Prague, Malmö Symphony, and Bergen Philharmonic. Conductors she has worked with include Stephan Blunier, Frans Bruggen, Christoph von Dohnanyi, Claus Peter Flor, Neeme Järvi, Yakov Kreizberg, Zdenek Macal, Jun Maerkl, Gianandrea Noseda, Marc Soustrot, Leonard Slatkin, Thomas Sondergard, Karl-Heinz Steffens, Mario Venzago and Jaap van Zweden.

An avid chamber musician, Ms. Ferschtman has collaborated regularly with artists such as Inon Barnatan, Jonathan Biss, Nobuko Imai, Elisabeth Leonskaja, Enrico Pace, Christian Poltera, Lars Anders Tomter and Alisa Weilerstein. In addition to appearances at numerous international Chamber Music festivals, she has performed at venues such as the Alice Tully Hall in New York, the Library of Congress in Washington, Wigmore Hall in London, the Brahms Saal at the Vienna Musikverein, as well the Concertgebouw in Amsterdam.

Liza Ferschtman has been the artistic director of the Delft Chamber Music Festival since 2007, one of the reputable festivals in Europe. During her tenure the festival has become widely known for adventurous programming with dynamic performances by artists from around the globe.

Highlights in the past season were the performance of the complete solo works by Bach in Amsterdam and a concert tour to Budapest, Amsterdam, New York and Montréal with the Budapest Festival Orchestra. Playing under the baton of Iván Fischer, Ms. Ferschtman received outstanding reviews for her rendition of Bernstein's "Serenade" with this orchestra.

During the current season Liza Ferschtman is scheduled to make her debuts with the BBC National Orchestra of Wales and the London Philharmonic Orchestra, the Philharmonic Orchestra of Essen, the Staatskapelle Weimar and the Flanders Symphony Orchestra. She will perform chamber music at the Liederhalle in Stuttgart and the Beethoven Haus in Bonn and will be present in the Netherlands with several recitals.

Ms. Ferschtman's recording of the Beethoven Concerto and Romances was received with great critical acclaim, as well as her other recordings with concertos by Dvorak, Röntgen, solo works by Bach and Ysaye, (STRAD CD choice of the month), and duo works by Beethoven and Schubert. Her next CD will be solo works by Bach, Biber, Bartok and Berio (Challenge Classics).

Inon Barnatan
One of today’s most exciting and compelling artists, Israeli pianist Inon Barnatan has recently been appointed New York Philharmonic’s first Artist in Association. He will perform multiple times with the orchestra over several seasons, beginning with his subscription debut playing Ravel’s Concerto in G with Alan Gilbert in 2014/15.

In the coming season Mr Barnatan will return to the Hollywood Bowl with the Los Angeles Philharmonic, debut with the Royal Stockholm Philharmonic, The Orchestre National de France and Louisville, New Jersey, Ulster, Vancouver and Quebec Symphony Orchestras, and perform with the Atlanta, Eugene, Milwaukee and National arts center Orchestras. He will also make his solo recital debuts at the Celebrity Series of Boston and at the Harris Theater in Chicago, as well as prestigious European festivals such as the Chopin festival in Warsaw and the Jacboins festival in Toulouse, amongst others.

Mr. Barnatan has performed with many of the most esteemed ensembles in the USA, including the Los Angeles Philharmonic and the symphony orchestras of Atlanta, Dallas, Cincinnati, Cleveland, Houston, Philadelphia, and San Francisco, and he has worked with eminent conductors including Roberto Abbado, Lawrence Foster, James Gaffigan, Jahja Ling, Nicholas McGegan, Matthias Pintscher, David Robertson, Robert Spano, Bramwell Tovey, Juraj Valchua, Edo De Waart, Pinchas Zukerman, and Jaap van Zweden, among others. He has toured twice with the Academy of St. Martin in the Fields as a conductor and soloist, and has performed in New York at Carnegie Hall, the 92nd Street Y and at Lincoln Center, and at San Francisco’s Herbst Theater, Philadelphia’s Kimmel Center, Washington’s Kennedy Center and Boston’s Jordan Hall, among many other important venues. He moved to the United States in 2006, and In 2009 he was awarded the prestigious Avery Fisher Career Grant, an honor reflecting the strong impression he has made on the American music scene in such a short period of time.

His most recent album, celebrating Schubert’s late works, was released by Avie in September 2013 and gained rave reviews from such publications as Gramophone and BBC Music Magazine, who wrote “This is superior playing, in which penetrating musicianship, compelling interpretive insight and elegant pianism achieve near perfect equilibrium.” His second solo album, Darknesse Visible, was released in 2012 and named BBC Music Magazine’s Instrumentalist CD of the Month and chosen as one of the top classical recordings of the year by The New York Times. in his review of the CD, Anthony Tommasini from The New York Times wrote, “The thoughtful programming is typical for this insightful musician. But Mr. Barnatan’s extraordinary playing is what makes this release so rewarding.”

In addition to his American appearances, Mr. Barnatan has appeared as a soloist with the Aachen Symphony, the Amsterdam Sinfonietta, Deutsche Symphonie Orchester Berlin, National Arts Centre Orchestra, Netherlands Chamber Orchestra, Orchestre de la Suisse Romande, Shanghai Symphony Orchestra, Jerusalem Symphony Orchestra, London Soloists Chamber Orchestra, Orchestra of New Europe, and the Winnipeg Symphony Orchestra. He is a frequent performer at Wigmore Hall and the Concertgebouw, and has appeared in some of Europe’s most illustrious venues, such as The Paris Louvre, Berlin’s Philharmonie, London’s South Bank, and Framkfurt’s Alte Oper.

During the past season Mr. Barnatan performed works from his album Darknesse Visible in recital at the 92nd Street Y in New York as well as at the Ravinia Festival, the Kennedy Center and around the United States, as well as London’s Wigmore Hall and the Amsterdam Concertgebouw. Additional highlights included a 16-city United States tour with the Academy of St. Martin in the Fields conducting and playing Bach’s D minor concerto, and performances with the Los Angeles Philharmonic at the Hollywood Bowl conducted by Bramwell Tovey, the National Arts Centre Orchestra with Pinchas Zukerman, and Chamber Music Society of Lincoln Center. He joined cellist Alisa Weilerstein for duo-recitals internationally, including at Orchestra Hall in Chicago, the Schubert Club in St. Paul, Minnesota, The Royal Conservatory in Toronto and Wigmore Hall, and he traveled to South Africa for a solo tour that included three orchestral performances and six recitals. Mr. Barnatan also stepped in last-minute for the Cincinnati and Atlanta symphonies, garnering widespread acclaim for both performances.

Also a sought-after chamber musician, Mr. Barnatan was a member of the Chamber Music Society of Lincoln Center’s CMS Two program from 2006 to 2009, and is still a regular performer on CMS programs at home in New York and on tour. In 2009 he curated a festival of Schubert’s late solo piano, songs and chamber music works for the Society, the first musician other than the Society’s Artistic Directors to be invited to program concerts. ‘The Schubert Project’ program has also been performed at the Concertgebouw, the Festival de México, and at the Library of Congress.

His rigorous festival schedule has included a broad range of concerts at the Spoleto Festival USA, the Aspen and La Jolla Music Festivals, the Santa Fe and Seattle Chamber Music Festivals and abroad at the Verbier, Delft, Bergen, Mumbai and Heidelberg festivals. He has played with some of the most notable instrumentalists worldwide. In 2008 he received the Andrew Wolf Memorial Award in Rockport, awarded every two years to an exceptional pianist for his/her contribution to chamber music.

Passionate about contemporary music, Mr. Barnatan regularly commissions and performs music by living composers, including works by Thomas Adès, George Benjamin, George Crumb, Avner Dorman, James MacMillan, Kaija Saariaho and others. In 13/14 and 14/15 he will premiere new pieces written for him by Matthias Pintscher and Sebastian Currier, and commissioned jointly by Wigmore Hall, the Concertgebow and the Aspen Music Festival.

Mr. Barnatan’s debut solo recording of Schubert piano works was released on Bridge Records in 2006. London’s Evening Standard wrote: “The young, Israeli born pianist Inon Barnatan is a true poet of the keyboard: refined, searching, unfailingly communicative… This is musicianship of the highest caliber.” Gramophone recommended the recording in its November 2006 award issue, calling Mr. Barnatan “a born Schubertian” and praising the CD’s “sensitivity, poise and focus.” His second CD of works for piano and violin by Beethoven and Schubert with violinist Liza Ferschtman was described by All Music Guide as “a magical listening experience.”

Born in Tel Aviv in 1979, Inon Barnatan started playing the piano at the age of three after his parents discovered he had perfect pitch, and he made his orchestral debut at eleven. His studies connect him to some of the 20th century’s most illustrious pianists and teachers: he studied with Professor Victor Derevianko, who himself studied with the Russian master Heinrich Neuhaus, and in 1997 he moved to London to study at the Royal Academy of Music with Maria Curcio – who was a student of the legendary Artur Schnabel – and with Christopher Elton. Leon Fleisher has also been an influential teacher and mentor. In 2006 Mr. Barnatan moved to New York City, where he currently resides in a converted warehouse in Harlem.

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