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Complete Bach Cantatas Vol. 21

Ton Koopman / The Amsterdam Baroque Orchestra

Complete Bach Cantatas Vol. 21

Format: CD
Label: Challenge Classics
UPC: 0608917222128
Catnr: CC 72221
Release date: 03 April 2006
CD (3 items)
 
Label
Challenge Classics
UPC
0608917222128
Catalogue number
CC 72221
Release date
03 April 2006
Album
Artist(s)
Composer(s)
EN
NL

About the album

Most of the Cantatas in this this last but one issue of the complete Cantata work has been composed between 1730 and 1740. This volume contains - among others - the famous cantata "Wachet auf ruft uns die Stimme" BWV 140, with the famous chorale "Zion hört die Wächter singen".
De Cantate uitvoeringen van Koopman zijn de absolute wereldtop
Cantates, koorwerken met orkest en solisten, daar schreef Bach er bijna 300 van, en er werden er ruim 200 bewaard. Het grootste deel daarvan was bedoeld voor in de kerk, waar Bach dan ook als componist en koormeester in dienst was.

Dit 21e en voorlaatste deel van de Complete Cantates is het eerste deel van de kerkcantates, die hij in zijn laatste arbeidzame periode in Leipzig componeerde, tussen 1730 en 1740. Hij heeft dan voor alle zondagen van het jaar al vier cantates beschikbaar. De noodzaak om er nog veel aan toe te voegen is er niet meer en zijn productie in dit genre loopt terug. De kwaliteit lijdt daar niet onder, ook de twaalf cantates die dit deel van de serie vullen bieden weer volop prachtige muziek.
Koren, recitatieven (spreekzang met continuo begeleiding) en aria’s wisselen elkaar af, zodat verveling niet snel een kans krijgt. Hoewel al die muziek achter elkaar beluisteren, alleen voor echte fanaten een optie is. Maar mooi is het zeker.

Koopman heeft met zijn huidige koor en orkest een ideaal en perfect ingespeeld instrument in handen om zijn opvattingen over hoe Bach moet klinken, voor het voetlicht te brengen. Het resultaat van jarenlange studie en ervaring. Al die ervaring en virtuositeit staan in dienst van het immer stromende en bruisende geheel, inclusief de solisten, waarvan sopraan Sandrine Piau hier het vaakst aan bod komt. De authentieke barokinstrumenten klinken perfect, net als de vocalen van zowel het koor als de solisten.

Bij Koopman is Bach nooit zwaar. Hoe ingewikkeld de muzikale lijnen ook vaak met elkaar verbonden zijn, alles is helder te volgen en swingt bovendien als een jazzband. Ironisch genoeg emotioneert de muziek in deze vlotte, dynamische speelwijze veel meer dan de veel zwaarder aangezette interpretaties van enkele decennia terug.

Artist(s)

Ton Koopman (conductor)

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
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Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Amsterdam Baroque Orchestra & Choir

Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality. The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare...
more
Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.
The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs. In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.
Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award. Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition. Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.
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Paul Agnew

The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.
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The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.

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Jörg Dürmüller

The Swiss lyric tenor, Jörg Dürmüller, studied violin and voice at the Winterthur Conservatoire in Switzerland with Ruth Binder (1977-1982), and with a scholarship of the Migros-Genossenschafts-Bund at the Academy of Music and Theatre in Hamburg with Naan Pöld, Hans Kagel and Hertha Werner (1982-1987). He attended master-classes given by Edith Mathis, Christa Ludwig and Hermann Prey. Jörg Dürmüller's first opera-engagement led him in 1987 to the Bielefeld City Theatre, where he was a member of the ensemble for five years. From 1995 to 1997 he was engaged as the first tenor at the Brunswick State Theatre under Kammersängerin Brigitte Fassbaender. He appeared also at the State Opera of Hamburg, and at the Theatre in Revier Gelsenkirchen. In 1996 he appeared as a guest at the Comic Opera Berlin...
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The Swiss lyric tenor, Jörg Dürmüller, studied violin and voice at the Winterthur Conservatoire in Switzerland with Ruth Binder (1977-1982), and with a scholarship of the Migros-Genossenschafts-Bund at the Academy of Music and Theatre in Hamburg with Naan Pöld, Hans Kagel and Hertha Werner (1982-1987). He attended master-classes given by Edith Mathis, Christa Ludwig and Hermann Prey.
Jörg Dürmüller's first opera-engagement led him in 1987 to the Bielefeld City Theatre, where he was a member of the ensemble for five years. From 1995 to 1997 he was engaged as the first tenor at the Brunswick State Theatre under Kammersängerin Brigitte Fassbaender. He appeared also at the State Opera of Hamburg, and at the Theatre in Revier Gelsenkirchen. In 1996 he appeared as a guest at the Comic Opera Berlin in the role of Fernando in Così fan tutte produced by Harry Kupfer, and at the National Theatre of Braunschweig as Andres in Wozzeck by Alban Berg. In 2002 and 2003 he sang the role of Bajazete in George Frideric Handel’s Tamerlano also at the Opera Comique Berlin directed by David Alden.

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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Press

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Disc #1
01.
Was Gott tut, das ist wohlgetan (III) BWV 100: “Was Gott tut, das ist wohlgetan, es bleibt grerecht sein Wille”
04:22
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Was Gott tut, das ist wohlgetan (III) BWV 100: “Was Gott tut, das ist wohlgetan, er wird mich nicht betrüben”
02:36
Johann Sebastian Bach , Ton Koopman, Caroline Stam, Bogna Bartosz, James Gilchrist, Amsterdam Baroque Orchestra
03.
Was Gott tut, das ist wohlgetan (III) BWV 100: “Was Gott tut, das ist wohlgetan, er wird mich wohl bedenken”
04:15
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Klaus Mertens, Amsterdam Baroque Orchestra
04.
Was Gott tut, das ist wohlgetan (III) BWV 100: “Was Gott tut, das ist wohlgetan, er ist mein Licht, mein Leben”
03:24
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
05.
Was Gott tut, das ist wohlgetan (III) BWV 100: “Was Gott tut, das ist wohlgetan, muß ich den Kelch gleich schmecken”
03:26
Johann Sebastian Bach , Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
06.
Was Gott tut, das ist wohlgetan (III) BWV 100: “Was Gott tut, das ist wohlgetan, darbei will ich verbleiben”
01:43
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
Bekennen will ich seinen Namen BWV 200: “Bekennen will ich seinen Namen”
04:20
Johann Sebastian Bach , Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
08.
Ich ruf zu dir, Herr Jesu Christ BWV 177: “Ich ruf zu dir, Herr Jesu Christ”
07:38
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
Ich ruf zu dir, Herr Jesu Christ BWV 177: “Ich bitt noch mehr, o Herre Gott”
05:06
Johann Sebastian Bach , Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
10.
Ich ruf zu dir, Herr Jesu Christ BWV 177: “Verleih, daß ich aus Herzensgrund”
04:52
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Amsterdam Baroque Orchestra
11.
Ich ruf zu dir, Herr Jesu Christ BWV 177: “Laß mich kein Lust noch Furcht von dir”
04:28
Johann Sebastian Bach , Ton Koopman, Christoph Prégardien, Amsterdam Baroque Orchestra
12.
Ich ruf zu dir, Herr Jesu Christ BWV 177: “Ich lieg im Streit und widerstreb”
01:11
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Dem Gerechten muß das Licht BWV 195: “Dem Gerechten muß das Licht”
04:22
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Dem Gerechten muß das Licht BWV 195: “Dem Freudenlicht gerechter Frommen”
01:04
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
15.
Dem Gerechten muß das Licht BWV 195: “Rühmet Gottes Güt und Treu”
04:02
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
16.
Dem Gerechten muß das Licht BWV 195: “Wohlan, so knüpfet denn ein Band”
00:54
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Amsterdam Baroque Orchestra
17.
Dem Gerechten muß das Licht BWV 195: “Wir kommen, deine Heiligkeit”
06:30
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Johannette Zomer, Annette Markert, James Gilchrist, Klaus Mertens, Amsterdam Baroque Orchestra
18.
Dem Gerechten muß das Licht BWV 195: “Nun danket all und bringet Ehr”
00:33
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #2
01.
Wachet auf, ruft uns die Stimme BWV 140: “Wachet auf, ruft uns die Stimme”
06:25
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Wachet auf, ruft uns die Stimme BWV 140: “Er kommt, er kommt”
00:52
Johann Sebastian Bach , Ton Koopman, James Gilchrist, Amsterdam Baroque Orchestra
03.
Wachet auf, ruft uns die Stimme BWV 140: “Wenn kömmst du, mein Heil”
05:29
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Klaus Mertens, Amsterdam Baroque Orchestra
04.
Wachet auf, ruft uns die Stimme BWV 140: “Zion hört die Wächter singen”
03:20
Johann Sebastian Bach , Ton Koopman, James Gilchrist, Amsterdam Baroque Orchestra
05.
Wachet auf, ruft uns die Stimme BWV 140: “So geh herein zu mir”
01:16
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
06.
Wachet auf, ruft uns die Stimme BWV 140: “Mein Freund ist mein”
05:24
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Klaus Mertens, Amsterdam Baroque Orchestra
07.
Wachet auf, ruft uns die Stimme BWV 140: “Gloria sei dir gesungen”
01:24
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
O ewiges Feuer, o Ursprung der Liebe BWV 34: “O ewiges Feuer, o Ursprung der Liebe”
06:58
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
O ewiges Feuer, o Ursprung der Liebe BWV 34: “Herr, unsre Herzen halten dir”
00:41
Johann Sebastian Bach , Ton Koopman, Paul Agnew, Amsterdam Baroque Orchestra
10.
O ewiges Feuer, o Ursprung der Liebe BWV 34: “Wohl euch, ihr auserwählten Seelen”
05:10
Johann Sebastian Bach , Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
11.
O ewiges Feuer, o Ursprung der Liebe BWV 34: “Erwählt sich Gott die heilgen Hütten”
00:27
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
12.
O ewiges Feuer, o Ursprung der Liebe BWV 34: “Friede über Israel”
02:11
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Lobe den Herrn, meine Seele BWV 143: “Lobe den Herrn, meine Seele”
01:09
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Lobe den Herrn, meine Seele BWV 143: “Du Friedefürst, Herr Jesu Christ”
01:51
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Sandrine Piau, Johannette Zomer, Caroline Stam, Amsterdam Baroque Orchestra
15.
Lobe den Herrn, meine Seele BWV 143: “Wohl dem, des Hülfe der Gott Jakob ist”
00:13
Johann Sebastian Bach , Ton Koopman, Jörg Dürmüller, Amsterdam Baroque Orchestra
16.
Lobe den Herrn, meine Seele BWV 143: “Tausendfaches Unglück”
02:16
Johann Sebastian Bach , Ton Koopman, Jörg Dürmüller, Amsterdam Baroque Orchestra
17.
Lobe den Herrn, meine Seele BWV 143: “Der Herr ist König”
01:32
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
18.
Lobe den Herrn, meine Seele BWV 143: “Jesu, Retter deiner Herde”
02:28
Johann Sebastian Bach , Ton Koopman, Jörg Dürmüller, Amsterdam Baroque Orchestra
19.
Lobe den Herrn, meine Seele BWV 143: “Halleluja. Gedenk, Herr, jetzund an dein Amt”
02:07
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
Der Friede sei mit dir BWV 158: “Der Friede sei mit dir”
01:41
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
21.
Der Friede sei mit dir BWV 158: “Welt, ade, ich bin dein Müde”
05:42
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
22.
Der Friede sei mit dir BWV 158: “Nun Herr, regiere meinen Sinn”
01:20
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
23.
Der Friede sei mit dir BWV 158: “Hier ist das rechte Osterlamm”
01:02
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Orchestra

Disc #3
01.
Gott ist unsre Zuversicht BWV 197: “Gott ist unsre Zuversicht”
05:22
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Gott ist unsre Zuversicht BWV 197: “Gott ist und bleibt der beste Sorger”
01:12
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
03.
Gott ist unsre Zuversicht BWV 197: “Schläfert allen Sorgenkummer”
05:21
Johann Sebastian Bach , Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
04.
Gott ist unsre Zuversicht BWV 197: “Drum folget Gott und seinem Triebe”
00:43
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
05.
Gott ist unsre Zuversicht BWV 197: “Du süße Lieb, schenk uns deine Gunst”
00:53
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
Gott ist unsre Zuversicht BWV 197: “O du angenehmes Paar”
05:52
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
07.
Gott ist unsre Zuversicht BWV 197: “So wie es Gott mit dir”
01:20
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Amsterdam Baroque Orchestra
08.
Gott ist unsre Zuversicht BWV 197: “Vergnügen und Lust, Gedeihen und Heil”
03:35
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Amsterdam Baroque Orchestra
09.
Gott ist unsre Zuversicht BWV 197
00:43
Johann Sebastian Bach , Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
10.
Gott ist unsre Zuversicht BWV 197: “So wandelt froh auf Gottes Wegen”
00:51
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
In allen meinen Taten BWV 97: “In allen meinen Taten”
04:15
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
In allen meinen Taten BWV 97: “Nichts ist es spat und frühe”
02:58
Johann Sebastian Bach , Ton Koopman, Paul Fleming, Amsterdam Baroque Orchestra
13.
In allen meinen Taten BWV 97: “Es kann mir nichts geschehen”
00:33
Johann Sebastian Bach , Ton Koopman, Paul Fleming, Amsterdam Baroque Orchestra
14.
In allen meinen Taten BWV 97: “Ich traue seiner Gnaden”
07:28
Johann Sebastian Bach , Ton Koopman, James Gilchrist, Amsterdam Baroque Orchestra
15.
In allen meinen Taten BWV 97: “Er wolle meiner Sünden”
00:40
Johann Sebastian Bach , Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
16.
In allen meinen Taten BWV 97: “Leg ich mich späte nieder”
03:32
Johann Sebastian Bach , Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
17.
In allen meinen Taten BWV 97: “Hat er es denn beschlossen”
03:16
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Klaus Mertens, Amsterdam Baroque Orchestra
18.
In allen meinen Taten BWV 97: “Ihm hab ich mich ergeben”
03:24
Johann Sebastian Bach , Ton Koopman, Sandrine Piau, Amsterdam Baroque Orchestra
19.
In allen meinen Taten BWV 97: “So sei nun, Seele, deine”
00:48
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
O Jesu Christ, meins Lebens Licht BWV 118: “O Jesu Christ, meins Lebens Licht”
04:11
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
Gloria in excelsis Deo BWV 191: “Gloria in excelsis Deo”
06:45
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
Gloria in excelsis Deo BWV 191: “Gloria Patri et Filio”
03:57
Johann Sebastian Bach , Ton Koopman, Amsterdam Baroque Choir, Caroline Stam, Paul Agnew, Amsterdam Baroque Orchestra
23.
Gloria in excelsis Deo BWV 191: “Sicut erat in principio”
03:59
Johann Sebastian Bach , Ton Koopman, Paul Agnew, Klaus Mertens
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Complete Bach Cantatas Vol. 18
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Complete Bach Cantatas Vol. 15
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