Ton Koopman / The Amsterdam Baroque Orchestra & Choir

Complete Bach Cantatas Vol. 1

Price: € 14.95
Format: CD
Label: Challenge Classics
UPC: 0608917220124
Catnr: CC 72201
Release date: 01 April 2003
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Label
Challenge Classics
UPC
0608917220124
Catalogue number
CC 72201
Release date
01 April 2003

"Artikeltje over Bach Online "

Music, 01-6-2013
Album
Artist(s)
Composer(s)
Press
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NL

About the album

Bach's sacred music written before he went to Leipzig, including all the works from the Weimar period, are often lumped together as "early" cantatas. This is misleading and ultimately inaccurate, since Bach was already 38 years old when he moved from his post as Kapellmeister at Köthen in 1723 to take up his duties as Kantor at the Thomaskirche in Leipzig. In fact most of Bach's church cantatas date from the Leipzig years, as does the consolidation of the stylistic, structural and technical features of his vocal works, but even the repertoire composed before 1714 can hardly be termed "early". The works composed at Mühlhausen, demonstrating a striking sureness of touch in their conception, placed the 22-year-old among the finest contemporary cantata composers. Bach's earliest church cantatas are still clearly marked by 17th-century traditions. As well as the influences of older members of the Bach family, those of Buxtehude and Pachelbel the Elder, and Italian and French masters are evident, technically, structurally andstylistically. A particularly characteristic feature of the pre-Leipzig cantatas is Bach's exceptional delight in experimental and complex handling of an extremely wide range of instruments, with refined sound effects (such as the use of the bas- soon) and poly- and homophonic settings and forms.
De vroege cantates van Bach
Tussen 1994 en 2004 nam dirigent Ton Koopman de enorme taak op zich om alle cantates gecomponeerd door Johann Sebastian Bach op te nemen met zijn Amsterdam Baroque Orchestra & Choir.
Tijdens zijn leven schreef Bach vermoedelijk 295 cantates, waarvan er 202 bewaard zijn gebleven. Het overgrote deel van deze cantates kwam volgens biograaf Christoph Wolff, met wie Ton Koopman samenwerkte aan dit project, tot stand in de jaren 1723-25, toen Bach in Leipzig verbleef. Bachs enorme cantateproductie delen de musicologen op in 5 cantatejaargangen. Een cantatejaargang of cantate-jaarcyclus bestaat uit een groep van bij elkaar horende cantates geschreven voor de kerkdiensten van één kerkelijk jaar.

Het merendeel van cantates werd door Bach geschreven als muzikale omlijsting van de zondagse kerkdienst. De cantates sloten inhoudelijk aan bij de lezingen en de preek van die zondag of kerkelijke feestdag. Het was dus functionele gebruiksmuziek, maar van een hoog muzikaal niveau. De meeste van Bachs cantates beginnen met een uitgebreid openingskoor. Deze opening werd gevolgd door enkele aria's en recitatieven (vertellende stukken, zonder tekstherhalingen).

De volledige set bevat 202 cantates onderverdeeld 22 volumes. Dit is het 1e volume uit deze serie cantates en omvat de 'vroege cantates' uit Bach’s oeuvre. Deze vroegen werken zijn nog duidelijk beïnvloed door de 17e eeuwse traditie met kenmerken van de stijl, technieken en structuur van voorouders van Bach, Dieterich Buxtehude, Johann Pachelbel en enkele Italiaanse en Franse componisten. Een opmerkelijke eigenschap van deze vroege cantates is het gebruik van een groot scala aan instrumenten (zoals de fagot) op experimentele en complexe wijze met zowel een- als meerstemmige bezettingen.

Artist(s)

Ton Koopman (conductor)

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
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Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Amsterdam Baroque Orchestra & Choir

Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality. The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare...
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Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.
The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs. In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.
Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award. Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition. Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.
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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Press

Artikeltje over Bach Online 
Music, 01-6-2013

Play album
Disc #1
01.
Ich hatte viel Bekömmernis BWV 21: Sinfonia
03:00
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Ich hatte viel Bekömmernis BWV 21: Ich hatte viel Bekummernis (Chorus)
03:44
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
Ich hatte viel Bekömmernis BWV 21: Aria: Seufzer, Tranen (Soprano)
04:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
Ich hatte viel Bekömmernis BWV 21: Recitative: Wie hast du dich (Soprano)
01:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
Ich hatte viel Bekömmernis BWV 21: Aria: Bache von gesalznen Zahren (Tenor)
06:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
Ich hatte viel Bekömmernis BWV 21: Was betrubst du dich, meine Seele (Chorus)
03:35
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
Ich hatte viel Bekömmernis BWV 21: Recitative: Ach Jesu (Soprano, Bass)
01:35
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
Ich hatte viel Bekömmernis BWV 21: Aria Duet: Komm, mein Jesu (Soprano, Bass)
04:26
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
Ich hatte viel Bekömmernis BWV 21: Sei nun wieder zufrieden (Chorus)
05:39
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
Ich hatte viel Bekömmernis BWV 21: Aria: Erfreue dich, Seele (Soprano)
03:18
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
Ich hatte viel Bekömmernis BWV 21: Das Lamm, das erwurget ist (Chorus)
03:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Sinfonia: Aus der Tiefe rufe ich
04:18
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Aria: So du willst (Bass, Soprano)
04:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Ich harre des Herrn (Chorus)
03:35
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Aria: Meine Seele wartet auf den Derrn (Tenor, Alto)
06:05
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Israel, hoffe auf den Herrn (Chorus)
04:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
Ich hatte viel Bekömmernis BWV 21 (Appendix): Sei nun wieder zufrieden
05:48
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #2
01.
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: Sonatina
02:36
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: a. Gottes Zeit ist die allerbeste Zeit (Chorus) b. Arioso: Ach, Herr, lehre uns bedenken (Tenor) c. Arioso: Bestelle dein Haus (Bass)
08:24
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: a. Aria: In deine Hande befehle ich meinen Geist (Alto) b. Chorale: Heute wirst du mit mir (Alto, Bass)
05:56
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: Glorie, Lob, Ehr und Herrlichkeit (Chorus)
03:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
Der Herr denket an uns BWV 196: Sinfonia
01:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
Der Herr denket an uns BWV 196: Der Herr denket an uns (Chorus)
01:53
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
Der Herr denket an uns BWV 196: Aria: Er segnet, die den Herrn furchten (Soprano)
02:35
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
Der Herr denket an uns BWV 196: Duet: Der Herr segne euch (Tenor, Bass)
02:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
Der Herr denket an uns BWV 196: Ihr seid die Gesegneten des Herrn (Chorus)
02:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
Gott ist mein König BWV 71: Gott ist mein konig (Chorus)
01:48
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
Gott ist mein König BWV 71: Chorale Aria: Ich bin nun achzig Jahr (Tenor, Soprano)
03:29
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
Gott ist mein König BWV 71: Dein Alter sei wie deine Jugend (Chorus)
01:31
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Gott ist mein König BWV 71: Arioso: Tag und Nacht ist dein (Bass)
02:52
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Gott ist mein König BWV 71: Aria: Durch machtige Kraft (Alto)
01:11
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
Gott ist mein König BWV 71: Du wollest dem Feinde nicht geben (Chorus)
03:51
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
Gott ist mein König BWV 71: Das neue Regiment (Chorus)
03:43
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
Nach dir, Herr, verlanget mich BWV 150: Sinfonia
01:24
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
Nach dir, Herr, verlanget mich BWV 150: Nach dir, Herr, verlanget mich (Chorus)
03:08
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
Nach dir, Herr, verlanget mich BWV 150: Aria: Doch bin und bleibe ich vergnugt (Soprano)
01:37
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
Nach dir, Herr, verlanget mich BWV 150: Leite mich in deiner Wahrheit (Chorus)
01:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
Nach dir, Herr, verlanget mich BWV 150: Aria (Terzet): Zedern mussen von den Winden (Alto, Tenor, Bass)
01:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
Nach dir, Herr, verlanget mich BWV 150: Meine Augen sehen stets zu dem Herrn (Chorus)
02:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
Nach dir, Herr, verlanget mich BWV 150: Ciacona: Meine Tage in dem Leide (Chorus)
03:21
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #3
01.
Der Himmel lacht! die Erde jubilieret BWV 31: Sonata
02:33
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Der Himmel lacht! die Erde jubilieret BWV 31: Der Himmel lacht! (Chorus)
03:36
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
Der Himmel lacht! die Erde jubilieret BWV 31: Recitative: Erwunschter Tag! sei, Seele (Bass)
02:05
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
Der Himmel lacht! die Erde jubilieret BWV 31: Aria: Furst des Lebens, starker Streiter (Bass)
03:24
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
Der Himmel lacht! die Erde jubilieret BWV 31: Recitative: So stehe dann, du gottergebne Seele (Tenor)
01:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
Der Himmel lacht! die Erde jubilieret BWV 31: Aria: Adam muss in uns verwesen (Tenor)
02:18
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
Der Himmel lacht! die Erde jubilieret BWV 31: Recitative: Weil dann das Haupt seiner Glied (Soprano)
00:50
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
Der Himmel lacht! die Erde jubilieret BWV 31: Aria: Letzte Stunde, brich herein (Soprano)
04:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
Der Himmel lacht! die Erde jubilieret BWV 31: So fahr ich hin zu Jesu Christ (Chorus)
01:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
Barmherziges Herze der ewigen Liebe BWV 185: Duet Aria: Barmherziges Herze der ewigen Liebe (Soprano, Tenor)
04:05
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
Barmherziges Herze der ewigen Liebe BWV 185: Recitative: Ihr Herzen, die ihr euch (Alto)
01:58
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
Barmherziges Herze der ewigen Liebe BWV 185: Aria: Sei bemuht in dieser Zeit (Alto)
03:43
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Barmherziges Herze der ewigen Liebe BWV 185: Recitative: Die Eigenliebe schmeichelt sich! (Bass)
01:11
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Barmherziges Herze der ewigen Liebe BWV 185: Aria: Das ist der Christen Kunst (Bass)
02:19
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
Barmherziges Herze der ewigen Liebe BWV 185: Chorale: Ich ruf zu dir, Herr Jesu Christ
01:24
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
Christ lag in Todesbanden BWV 4: Sinfonia
01:10
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
Christ lag in Todesbanden BWV 4: Versus I - Chorus: Christ lag in Todesbanden
03:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
Christ lag in Todesbanden BWV 4: Versus II - Duet: Den Tod niemand zwingen kunnt
03:45
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
Christ lag in Todesbanden BWV 4: Versus III - Jesus Christus, Gottes Sohn (tenor)
02:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
Christ lag in Todesbanden BWV 4: Versus IV - Chorus: Es war ein wunderlicher Krieg
02:08
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
Christ lag in Todesbanden BWV 4: Versus V - Hier ist das rechte Osterlamm (bass)
02:55
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
Christ lag in Todesbanden BWV 4: Versus VI - Duet: So feiern wir das hohe Fest
01:57
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
Christ lag in Todesbanden BWV 4: Versus VII Choral: Wir essen und leben wohl (chorus)
01:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
24.
Christ lag in Todesbanden BWV 4 (Appendix): Sinfonia
01:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
25.
Christ lag in Todesbanden BWV 4 (Appendix): Versus I - Chorus: Christ lag in Todesbanden
03:47
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
26.
Christ lag in Todesbanden BWV 4 (Appendix): Versus II - Duet: Den Tod niemand zwingen kunnt
04:10
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
27.
Christ lag in Todesbanden BWV 4 (Appendix): Versus VII Choral: Wir essen und leben wohl (chorus)
01:18
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
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