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25th Anniversary Box

Osiris Trio

25th Anniversary Box

Format: CD
Label: Challenge Classics
UPC: 0608917261523
Catnr: CC 72615
Release date: 06 December 2013
CD (5 items)
 
Label
Challenge Classics
UPC
0608917261523
Catalogue number
CC 72615
Release date
06 December 2013

"Interview met Petr Brunt van het Osiris Trio "

De Volkskrant, 27-6-2014
Album
Artist(s)
Composer(s)
Press
EN
NL
DE

About the album

Twenty-five years of the Osiris Trio: a celebration on CD

Coincide with the twenty- fifth anniversary of the CD as a music medium the Osiris Trio consists as chamber ensemble.
This publication offers a look back at years of musical enjoyment and it also documents how the making of thirteen CDs has influenced the development of the trio.

“When you’re celebrating, you pause and reflect, and doing this has made us realise that our vision of the music collected for this issue has changed over the years. That’s one of the great things about a living art form, such as the piano trio.” (Osiris Trio).
5 CDs with exemplary compositions as a cross-section of all recordings: the celebration-edition presents works by Haydn, Mendelssohn, Dvorak, Messiaen, Schostakowitsch, Loevendie, Jehts and other.
25 jaar Osirs Trio
Dit album staat in het teken van het 25-jarig jubileum van het Osiris Trio. Het album geeft een unieke kijk op de jaren van het muzikale genot van het trio en het laat zien hoe de opnames van maar liefst dertien albums de ontwikkeling van het trio hebben beïnvloed.

Het Osiris Trio werd in 1988 opgericht. Sindsien heeft het trio op vijf continenten opgetreden en twee keer gespeeld voor Hare Majesteit de Koningin. Het repertoire van het trio beslaat muziek uit meerdere eeuwen met zowel werken uit de oude muziek als muziek door hedendaagse componisten. Het trio wordt zowel nationaal als internationaal geprezen voor hun avontuurlijke en open benadering van kamermuziek.

Dit is een compilatie van vijf albums met de mooiste, meest iconische en meest uiteenlopende uitvoeringen van het pianotrio met werken van onder andere Joseph Haydn, Felix Mendelssohn, Antonín Dvořák, Olivier Messiaen, Dmitri Sjostakovitsj, Theo Loevendie en Willem Jehts.
25 Jahre Osiris Trio - Jubiläums-Box mit einer gelungenen Auswahl herausragender Aufnahmen des einzigartigen Klaviertrios.

Gemeinsam mit der Einführung der CD als Audio-Medium vor 25 Jahren begann das Osiris Trio als Kammermusikensemble gemeinsam zu musizieren. Die Jubiläums-Box gibt nun einen Blick zurück auf musikalisch spannende, lebendige Interpretationen und zeigt zugleich die Entwicklung des Trios über diesen Zeitraum und die darin entstandenen 13 Aufnahmen.

Die Box mit 5 CDs enthält exemplarische Aufnahmen aus dem Gesamtwerk des Trios: Werke von Haydn, Mendelssohn, Dvorak, Messiaen, Schostakowitsch, Loevendie, Jehts u.a.

Artist(s)

Osiris Trio

The Osiris Trio was formed in 1988. Since then, the trio has toured five continents and was twice given the honour to accompany Her Majesty The Queen of The Netherlands on an official state visit abroad. Over the past 19 years, the group has won a number of Dutch awards, including the ‘Philip Morris Finest Selection’ award and the Annie Bosboom Prijs. Since 2001 the Dutch Ministry of Culture supports the Osiris Trio. The trio’s discography encompasses two centuries of repertoire for piano trio but also includes song cycles and the highly regarded recording of Messiaens Quatuor “pour la fin du temps” that earned the highest rating (10 out of 10) in the Dutch music magazine Luister. The Dutch newspaper Het...
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The Osiris Trio was formed in 1988. Since then, the trio has toured five continents and was twice given the honour to accompany Her Majesty The Queen of The Netherlands on an official state visit abroad. Over the past 19 years, the group has won a number of Dutch awards, including the ‘Philip Morris Finest Selection’ award and the Annie Bosboom Prijs.
Since 2001 the Dutch Ministry of Culture supports the Osiris Trio. The trio’s discography encompasses two centuries of repertoire for piano trio but also includes song cycles and the highly regarded recording of Messiaens Quatuor “pour la fin du temps” that earned the highest rating (10 out of 10) in the Dutch music magazine Luister. The Dutch newspaper Het Parool concluded its review of a CD with recently written Dutch piano trios by stating “premium international quality.” Diversity typifies the trio’s repertoire, which ranges from Haydn’s oeuvre for piano trio to works by contemporary composers. The production of Klas Torstenssons’s “In großer Sehnsucht” even brought the trio on stage in a theatrical setting. The Dutch Society of Concert hall and Theatre Managers has nominated the Osiris Trio in the category “most impressive performances in chamber music”. Ellen Corver, Peter Brunt and Larissa Groeneveld hold teaching positions at the Royal Conservatoire in The Hague. Recent tours were made to the United States, Hawai, Indonesia, Sweden, France, Ireland and Turkey.
In 2013 the Osiris Trio will celebrate its 25th anniversary; there will be two world premières of works by Klaas de Vries and Oene van Geel, especially written for this happy occasion.

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Composer(s)

Felix Mendelssohn

Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second...
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Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.

Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second time ever, in 1829.

Three years, earlier, on his 17th, he had already composed his masterfully overture A midsummer night's dream op. 21, based on Shakespeare's play. Today, it is still considered as one of the absolute masterpieces in all of the orchestra reperoire. His Violin Concerto op. 64 belongs to the most beautiful works of the 19th century as well. During his travels through Europe, he wrote his brilliant Italian Symphony, Scottish Symphony and the overture The Hebrides.

Although Mendelssohn had a prosperous career, his weak physique made him emotionally vulnerable. The death of his favourite sister Fanny became fatal: Mendelssohn died in the same year, at the age of 38.


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Olivier Messiaen

The music by Olivier Messiaen is a combination of devout catholicism, extravagant imagination and love for nature. Initially, he made a name for himself by composing large-scale cycles and verbose titles. At several occasions, Messiaen explicated his intentions, which often included theology, symbology, and extensive considerations of colour, church modes and rhythm. Perhaps ironically, this colour composer was able to leave his mark on the less colourful avant-garde of the 1950s as well. With his 'Mode de valeurs et d'intensités', part 4 of his Quatre études de rythme, pointed the way for his students Stockhausen and Boulez, who developed serialism further.  Messiaen's own development is characterised by the integration of birg song, which he recorded in the wild with his sketchbook and tape...
more

The music by Olivier Messiaen is a combination of devout catholicism, extravagant imagination and love for nature. Initially, he made a name for himself by composing large-scale cycles and verbose titles. At several occasions, Messiaen explicated his intentions, which often included theology, symbology, and extensive considerations of colour, church modes and rhythm. Perhaps ironically, this colour composer was able to leave his mark on the less colourful avant-garde of the 1950s as well. With his 'Mode de valeurs et d'intensités', part 4 of his Quatre études de rythme, pointed the way for his students Stockhausen and Boulez, who developed serialism further. Messiaen's own development is characterised by the integration of birg song, which he recorded in the wild with his sketchbook and tape recorder. The pinnacle of his work is his opera Saint François d'Assise. This colossol work is over four hours long. Its longest scene contains a giant bird choir, with bird species from Umbria (the home country of Saint François) to new Caledonia.


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Willem Jeths

Willem Jeths' musical language has become gradually less atonal over the years. His most recent compositions even have a prominent ground tone. Densely orchestrated sound blocks rub along one another and overlap in an idiom that might remind one more of Ligeti or Rihm than a typical composer of the Dutch school. It is worth noting that Willem Jeths won two prices at the 1996 International Composition Competition in Vienna, for his violin concert Glenz and for his Piano Concerto. The jury included Wolfgang Rihm, Gerard Grisey, Franco Donatoni, Lothar Knessl and Friedrich Cerha - composers who, like Jeths, are intensely attuned to sound as an aspect of composition. Jeths also won the ''Amsterdamprijs voor de kunst'' for his ouvre...
more

Willem Jeths' musical language has become gradually less atonal over the years. His most recent compositions even have a prominent ground tone. Densely orchestrated sound blocks rub along one another and overlap in an idiom that might remind one more of Ligeti or Rihm than a typical composer of the Dutch school. It is worth noting that Willem Jeths won two prices at the 1996 International Composition Competition in Vienna, for his violin concert Glenz and for his Piano Concerto. The jury included Wolfgang Rihm, Gerard Grisey, Franco Donatoni, Lothar Knessl and Friedrich Cerha - composers who, like Jeths, are intensely attuned to sound as an aspect of composition. Jeths also won the ''Amsterdamprijs voor de kunst'' for his ouvre in 2014. Although a work by Willem Jeths might suggest the existence of a clear-cut plan, forms and structures fade to the background during the composition process. Jeths is driven by spirit and fancy, unfettered by predetermined routes or goals. Because he is so conscious of the basic material, the resulting form, individual and personal, appears to the listener as a taut, consistent concept that unifies the piece. This apparently contradiction, in which aesthetics and working method seem to collide, remains one of the most intriguing aspects, both musically and personally, of Willem Jeths.


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Charles Ives

Charles Edward Ives was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an 'American original' He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday...
more
Charles Edward Ives was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original" He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.

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Frank Théodore Martin

Frank Martin (15 September 1890 – 21 November 1974) was a Swiss composer, who lived a large part of his life in the Netherlands. Born into a Huguenot family in the Eaux-Vives quarter of Geneva, the youngest of the ten children of a Calvinist pastor named Charles Martin, Frank Martin was improvising at the piano even before he started school. At the age of nine, despite having received no musical instruction, he wrote some complete songs. He attended a performance of Johann Sebastian Bach's St. Matthew Passion when he was 12 and was deeply affected.   Respecting his parents' wishes, he studied mathematics and physics for two years at Geneva University, but all the time he was also working at his composition and...
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Frank Martin (15 September 1890 – 21 November 1974) was a Swiss composer, who lived a large part of his life in the Netherlands.
Born into a Huguenot family in the Eaux-Vives quarter of Geneva, the youngest of the ten children of a Calvinist pastor named Charles Martin, Frank Martin was improvising at the piano even before he started school. At the age of nine, despite having received no musical instruction, he wrote some complete songs. He attended a performance of Johann Sebastian Bach's St. Matthew Passion when he was 12 and was deeply affected.
Respecting his parents' wishes, he studied mathematics and physics for two years at Geneva University, but all the time he was also working at his composition and studying the piano, composition and harmony with his first music teacher Joseph Lauber (1864–1953), a Geneva composer and by that time a leading light of the city's musical scene. In the 1920s, Martin worked closely for a time with Émile Jaques-Dalcroze from whom he learned much about rhythm and musical theory. Between 1918 and 1926 Martin lived successively in Zurich, Rome and Paris. Compositions of the period show him searching for an authentic musical voice of his own.
In 1926 he established the Chamber Music Society of Geneva which, for the next ten years, he conducted, as well as contributing on the clavichord and piano. During this period he was also teaching musical theory and improvisation at the Jaques-Dalcroze Institute, and chamber music at the Geneva Conservatory.
Works[edit] The Petite Symphonie Concertante of 1944/45 made Martin's international reputation and is the best known of his orchestral works, as the early Mass is the best known of his choral compositions and the Jedermann monologues for baritone and piano or orchestra the best known of his works for solo voice. Other Martin pieces include a full-scale symphony (1936–1937), two piano concertos, a harpsichord concerto, a violin concerto, a cello concerto, a concerto for seven wind instruments, and a series of six one-movement works he called "ballades" for various solo instruments with piano or orchestra.
Among a dozen major scores for the theater are operatic settings of Shakespeare (Der Sturm [ The Tempest ], in August Wilhelm Schlegel's German version [1952–1955]) and Molière (Monsieur de Pourceaugnac [1960–1962]), and the satirical fairy tale La Nique à Satan (Thumbing Your Nose at Satan [1928 - 1931]). His works on sacred texts and subjects, which include another large-scale theater piece, Le Mystère de la Nativité (The Mystery of the Nativity) 1957/1959, are widely considered to rank among the finest religious compositions of the 20th century. Fellow Swiss musician Ernest Ansermet, a champion of his music from 1918 on, conducted recordings of many of Martin's works, such as the oratorio for soloists, double chorus & orchestra In Terra Pax (1944), with the Orchestre de la Suisse Romande.[1] Martin developed his mature style based on a very personal use of Arnold Schoenberg's twelve tone technique, having become interested in this around 1932, but did not abandon tonality. Rather his preference for lean textures and his habitual rhythmic vehemence are at the furthest possible remove from Schoenberg's hyper-romanticism. Some of Martin's most inspired music comes from his last decade. He worked on his last cantata, Et la vie l'emporta, until ten days before his death. He died in Naarden, the Netherlands, and was buried in Geneva at the Cimetière des Rois.

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Joseph Haydn

(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets 'Father of the Symphony' and 'Father of the String Quartet'.   Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, 'forced to become original'. Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.   He was a friend and mentor of Mozart,...
more
(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".
Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.
He was a friend and mentor of Mozart, a teacher of Beethoven, with whom he formed the First Viennese School. He was also the older brother of composer Michael Haydn.

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Press

Interview met Petr Brunt van het Osiris Trio 
De Volkskrant, 27-6-2014

That the Osiris trio has recorded an album full with Dutch music is no small milestone. Here's to the next twenty-five years!
Opus Klassiek, 28-5-2014

"A good kick off for the next 25 years!"
www.musicframes.nl, 15-1-2014

Play album Play album
Disc #1
01.
Dumky-trio Op. 90: Lento maestoso
04:05
(Antonin Dvorák) Osiris Trio
02.
Dumky-trio Op. 90: Poco adagio
06:43
(Antonin Dvorák) Osiris Trio
03.
Dumky-trio Op. 90: Andante
06:39
(Antonin Dvorák) Osiris Trio
04.
Dumky-trio Op. 90: Andante moderato
04:37
(Antonin Dvorák) Osiris Trio
05.
Dumky-trio Op. 90: Allegro
03:45
(Antonin Dvorák) Osiris Trio
06.
Dumky-trio Op. 90: Lento maestoso
04:37
(Antonin Dvorák) Osiris Trio
07.
Pianotrio sur des mélodies populaires irlandaises (1925): Allegro
04:34
(Frank Martin) Osiris Trio
08.
Pianotrio sur des mélodies populaires irlandaises (1925): Adagio
05:31
(Frank Martin) Osiris Trio
09.
Pianotrio sur des mélodies populaires irlandaises (1925): Gigue: Allegro
05:14
(Frank Martin) Osiris Trio
10.
Trio (1904/1911) : Moderato
05:53
(Charles Ives) Osiris Trio
11.
Trio (1904/1911) : TSIAJ
05:50
(Charles Ives) Osiris Trio
12.
Trio (1904/1911) : Moderato con moto
11:52
(Charles Ives) Osiris Trio

Disc #2
01.
Piano trio in C major Hoboken XV:21: Adagio pastorale-Vivace Assai
04:51
(Joseph Haydn) Osiris Trio
02.
Piano trio in C major Hoboken XV:21: Andante molto
04:29
(Joseph Haydn) Osiris Trio
03.
Piano trio in C major Hoboken XV:21: Finale Presto
04:29
(Joseph Haydn) Osiris Trio
04.
Trio quasi una ballata opus 27
16:47
(Vitezslav Novak) Osiris Trio
05.
Pianotrio No.2 opus 67 (1944): Andante
07:52
(Dmitri Shostakovich) Osiris Trio
06.
Pianotrio No.2 opus 67 (1944): Allegro con brio
02:36
(Dmitri Shostakovich) Osiris Trio
07.
Pianotrio No.2 opus 67 (1944): Largo
05:26
(Dmitri Shostakovich) Osiris Trio
08.
Pianotrio No.2 opus 67 (1944): Allegretto
11:42
(Dmitri Shostakovich) Osiris Trio

Disc #3
01.
Quatuor pour la fin du temps (1941) : Liturgie de cristal
02:50
(Olivier Messiaen) Osiris Trio
02.
Quatuor pour la fin du temps (1941) : Vocalise pour l’ange qui annonce la fin du temps
05:35
(Olivier Messiaen) Osiris Trio
03.
Quatuor pour la fin du temps (1941) : Abime des oiseaux
07:57
(Olivier Messiaen) Osiris Trio
04.
Quatuor pour la fin du temps (1941) : Intermède
01:45
(Olivier Messiaen) Osiris Trio
05.
Quatuor pour la fin du temps (1941) : Louange à l’éternité de Jésus
10:43
(Olivier Messiaen) Osiris Trio
06.
Quatuor pour la fin du temps (1941) : Danse de la fureur, pour les sept trompettes
06:20
(Olivier Messiaen) Osiris Trio
07.
Quatuor pour la fin du temps (1941) : Fouillis d’arcs-en-ciel, pour l’ange qui annonce la fin du temps
07:37
(Olivier Messiaen) Osiris Trio
08.
Quatuor pour la fin du temps (1941) : Louange à l’immortalité de Jésus
07:51
(Olivier Messiaen) Osiris Trio
09.
Seven romances after poems by Alexander Blok, Op. 27 (1967) : Ophelia’s song
03:03
(Dmitri Shostakovich) Osiris Trio
10.
Seven romances after poems by Alexander Blok, opus 127 (1967) : Gamajoen, the prophetic bird
03:43
(Dmitri Shostakovich) Osiris Trio
11.
Seven romances after poems by Alexander Blok, opus 127 (1967) : We were together
03:04
(Dmitri Shostakovich) Osiris Trio, Charlotte Riedijk
12.
Seven romances after poems by Alexander Blok, opus 127 (1967) : The city sleeps
03:35
(Dmitri Shostakovich) Osiris Trio, Charlotte Riedijk
13.
Seven romances after poems by Alexander Blok, opus 127 (1967) : Storm
02:08
(Dmitri Shostakovich) Osiris Trio, Charlotte Riedijk
14.
Seven romances after poems by Alexander Blok, opus 127 (1967) : Mysterious signs
04:28
(Dmitri Shostakovich) Osiris Trio, Charlotte Riedijk
15.
Seven romances after poems by Alexander Blok, opus 127 (1967) : Music
05:56
(Dmitri Shostakovich) Osiris Trio, Charlotte Riedijk

Disc #4
01.
Trio for piano, violin and cello in D Minor, Op. 49 (1839): Molto allegro agitato
09:25
(Felix Mendelssohn Bartholdy) Osiris Trio
02.
Trio for piano, violin and cello in D Minor, Op. 49 (1839): Andante con molto tranquillo
06:04
(Felix Mendelssohn Bartholdy) Osiris Trio
03.
Trio for piano, violin and cello in D Minor, Op. 49 (1839): Scerzo: Leggiero e vivace
03:42
(Felix Mendelssohn Bartholdy) Osiris Trio
04.
Trio for piano, violin and cello in D Minor, Op. 49 (1839): Finale: Allegro assai appassionato
08:24
(Felix Mendelssohn Bartholdy) Osiris Trio
05.
Trio for piano, violin and cello in C Minor, Op. 66 (1845): Allegro energico e con fuoco
10:36
(Felix Mendelssohn Bartholdy) Osiris Trio
06.
Trio for piano, violin and cello in C Minor, Op. 66 (1845): Andante espressivo
06:45
(Felix Mendelssohn Bartholdy) Osiris Trio
07.
Trio for piano, violin and cello in C Minor, Op. 66 (1845): Scherzo: Molto allegro quasi presto
03:34
(Felix Mendelssohn Bartholdy) Osiris Trio
08.
Trio for piano, violin and cello in C Minor, Op. 66 (1845): Finale Allegro appassionato
07:25
(Felix Mendelssohn Bartholdy) Osiris Trio

Disc #5
01.
Pianotrio (1992): Vivace   
04:37
(Roel van Oosten) Osiris Trio
02.
Pianotrio (1992): Interlude-Nocturne
04:34
(Roel van Oosten) Osiris Trio
03.
Pianotrio (1992): Scherzo
03:44
(Roel van Oosten) Osiris Trio
04.
Pianotrio (1992): Rondo
03:36
(Roel van Oosten) Osiris Trio
05.
Ackermusik
08:09
(Theo Loevendie) Osiris Trio
06.
Brandelli (2004): Deel I
01:13
(Ron Ford) Osiris Trio
07.
Brandelli (2004): Deel II
00:36
(Ron Ford) Osiris Trio
08.
Brandelli (2004): Deel III
00:45
(Ron Ford) Osiris Trio
09.
Brandelli (2004): Deel IV
01:15
(Ron Ford) Osiris Trio
10.
Brandelli (2004): Deel V
01:04
(Ron Ford) Osiris Trio
11.
Brandelli (2004): Deel VI
00:35
(Ron Ford) Osiris Trio
12.
Brandelli (2004): Deel VII
00:55
(Ron Ford) Osiris Trio
13.
Brandelli (2004): Deel VIII
00:21
(Ron Ford) Osiris Trio
14.
Brandelli (2004): Deel IX
01:07
(Ron Ford) Osiris Trio
15.
Brandelli (2004): Deel X
01:19
(Ron Ford) Osiris Trio
16.
Brandelli (2004): Deel XI
01:42
(Ron Ford) Osiris Trio
17.
Brandelli (2004): Deel XII
00:35
(Ron Ford) Osiris Trio
18.
Chiasmos
15:34
(Willem Jeths) Osiris Trio
19.
Trio (1999): Deel I
08:52
(Theo Verbey) Osiris Trio
20.
Trio (1999): Deel II
04:44
(Theo Verbey) Osiris Trio
21.
Trio (1999): Deel III
03:08
(Theo Verbey) Osiris Trio
22.
Trio (1999): Deel IV
07:54
(Theo Verbey) Osiris Trio
show all tracks

Often bought together with..

Ludwig van Beethoven
Complete Piano Trios vol. 3
Van Baerle Trio
Clara Wieck Schumann, Robert Schumann
Piano Trios op. 80 & 88, Piano Trio op. 17
Voces Intimae
Arnold Schönberg, Karl Weigl
Verklärte Nacht - Works for piano trio
Osiris Trio

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